Antonio Aricò Armchairs

Mid-18th Century baroque hand-carved 1750 Venetian walnut armchair. Straw seat not original. The 18th Century was in Venice the Golden Age and this armchair is a remarkable work by ...

Re-edition of an 18th century Venetian armchair, hand-carved with beautifully crafted detailing. Hand finished in a gesso white patina...

Height: 88cm Width: 71cm Depth: 82cm Seat Height: 38cm Designer: Antonio Citterio Date: 1970s Materials: Regent Pecan Velvet by Yarn Collective, wood. Description: Upholstered in Regent Pecan velvet by Yarn Collective. The Kalos armchair...

Modern Twins Curved Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Twins curved sofa and its matching daybed share the same genes, yet each maintains a distinct identity, forming a pair defined by perfect asymmetry. With sculptural curves and sumptuous upholstery, the Twins curved sofa embodies both contemporary elegance and refined artistry, creating a lounging experience of unparalleled comfort. A favorite among designers, it stands as the ideal centerpiece for today’s most sophisticated interiors. Designed by Rute Martins, Greenapple's Creative Director. The Twins Sofa...

The brutalist armchair designed by Ernesto Valabrega in the 1950s is a striking piece of mid-century Italian craftsmanship. Constructed from solid cedar wood, this chair epitomizes t...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) Armchair made from a single block of scented cedar. A sculptured monolith with a curvy...

Discover a remarkable piece of history with this 18th-century Baroque armchair, meticulously preserved and dating back to 1750. Originating from Germany, this exquisite piece embodi...

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...

French Baroque style hand carved fruit wood armchair with typical neoclassical rock and plant decorations, gold leaf gilded and painted over in additi...

Italian mid-century modern rattan armchair by Antonio Dal Vera, 1960s Armchair entirely in finely woven rattan. The backrest, armrests and seat have a rounded profile. Round section ...

An exceptionally rare 17th century Venetian throne chair of remarkable craftsmanship. This impressive piece, standing at 135 cm high with a seat height of 51 cm, epitomizes the grand...

Designed by Antonio Citterio for B&B Italia, these Solo armchairs exemplify a rigorous yet understated approach to contemporary seating. The softl...