Antonio Lampecco Ceramics

Very sophisticated ceramic jug designed and made by Klaas Mobach for ‘Mobach Utrecht’ in the 1940s with black and blue reduced fired glaze. Execution Mo...

Lovely shaped cream ceramic vase made by Wedgwood. Designed by Keith Murray Makers marks and facsimile signature on base Tiny imperfection to the rim( shown in the images ) Fre...

Eye-catching Majolica ceramic white and green strawberry shaped tureen. Manufactured by Bordalo Pinheiro, Portugal, 1960s. This cute tureen has a very realistic design with leaves on the top. A leaf shaped serving plate and a small serving spoon complete the set. This highly decorative serving piece will be a nice addition to any kitchen or dining table. It will be a cool choice used as sauce tureen. Excellent condition. On sale as a set of three pieces, strawberry tureen...

Lovely shaped grey ceramic vase made by Wedgwood. Designed by Keith Murray Makers marks and facsimile signature on base 2 tiny hairline cracks to the rim.( shown in the images ) ...

Modernist Italian vase with a mottled glaze over the geometric design.

Waiting for Godot 209360-210242, 2018 (Ceramic; Unique; C1: Terracotta 9 in. h. x 9 in. d., C2. White 9.9 in. h x 9.9 in. d., C3. Mint 8.6 in. h. x 8.6 in. d.) The inspiration for Bae Sejin’s intriguing ceramic designs is the play Waiting for Godot by the Irish avant-garde novelist Samuel Beckett...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...

A fantastic and rare ceramic charger by Eugenio Pattarino. Vibrant red color and Classic Italian Mid-Century style is represented very well in this piece. Eugenio Pattarino was born in 1885 and passed away in 1971. He was a master sculptor and model maker and taught in art schools in both Venice and Frankfort, Germany. In the late 1940s he opened his own studio in Florence. His factory used both “EPF” and “CAPEF” (Artistic Ceramics Professor Eugene Pattarino) to mark his pieces. His studio is best known for its large religious statutes, many of which reside in a number of churches in Italy and the U.S. In the 1950s Pattarino had more than fifty artists working for him and some among them were considered the best ceramists in Italy. At this time Eugenio was joined by his son, Ranier, and the company began concentrating on more eclectic themes. These pieces, when new, were quite expensive when they were purchased but almost never garner anywhere near their original cost at today's auctions. The factory claimed that the Vatican used Pattarino’s ceramics as gifts to famous visitors, including President John Kennedy, Andre Gide and Paul Sartre. Unfortunately there is no proof to back these claims. As a matter of fact I have discovered that the Pattarino name is almost generally unknown in Italy and even lesser known in Florence. His name is, however, recognized here in the United States and most of the factory’s output can be found in the U.S. where it was imported. In November 1966 the Arno River flooded its bank and inundated most of Florence. Work to restore damaged art...

Pair of Claudio Ferri ceramic vase, Italy, 1950s Measures: Left vase diameter 12 x height 41 cm. Right vase diameter 14 x height 32 cm. SOLD

Lovely shaped and good size cream / pale yellow ceramic vase made by Wedgwood. Designed by Keith Murray Makers marks and facsimile signature on base Tiny imperfection to the rim o...

Abstract glaze design on this large hand crafted plate.

Set of very decorative, late 19th century blue-green French Majolica asparagus plates, hand-painted in white, green and purple, showing four asparagus spears in relief, and with fluted rims. The underside is stamped "Depose K G Luneville...