Arlene Gottfried Art

July 25, 1961. Singer Dean Martin and Sammy Davis, Jr. sit at a table as fellow singer and Rat Pack member Frank Sinatra pours Jack Daniels from a bottle at the Cocoanut Grove during...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. David Levy created this vintage silver gelatin photograph in 1995. The image was t...

"I walked into a timeless place … full of supporting actors and actresses of every conceivable role," Abramson wrote in Light: On the South Side, published by Chicago's Numero Group ...

Edition of 45 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and a...

TECHNICAL INFORMATION Schiller, Lawrence Marilyn Monroe Birthday Cake 1962 / 2007 Silver Gelatin Print 30 x 40 in. Edition of 75 Signed & numbe...

For several years in the 1970s Leonard Freed worked alongside members of the New York police department, documenting the gritty reality of life on the beat...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

A moment of harmony… male with female, African with Hispanic… joined together in the dance that is Cuba. James Sparshatt’s photographs of music and dance capture the emotion and int...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson...

Edition of 45 Signed, titled, negative date, print date, and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. Hi...