Artemio Rodriguez

Pheasant Circle by Rob Barnes [2022] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframe...

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

This artwork "Woman with Three Goats" c.1960 is an original linocut on thin fiber paper by noted Turkish artist Nevzat Akoral, 1926-2016 It is signed in the plate as issue. The image...

Linocut on Arches wove paper. Hand signed and numbered by the artist in pencil. Image size 25 x 20.75 inches. Sheet size 29.6 x 24.5 inches. Frame size approx 34.5 x 29.5 inches. Pri...

BREAD (Derecho Alimentarse) The Right To Eat, created by the African-American woman printmaker and sculptor, Elizabeth Catlett. BREAD portrays a realistic linoleum cut portrait of a young Mexican girl...

Tyger, Tyger, Burning Bright… by Kate Willows [2016] limited_edition Ink on paper. Edition number 40 Image size: H:20 cm x W:30 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This piece is inspired by William Blake's poem 'TheTyger'. I design the image in my sketchbook and then transfer it to lino, which I hand-carve. Each print is handprinted in my studio using a roller press. As each print is individually handprinted, there may be slight variations in tone and colour. This print is made using gold oil-based ink as a background and then printed over with the tiger in dark purple ink. Each print has the title, edition number and my signature hand-written beneath the image. Sun Lion...

The Challenge in the Aegean is a black and white artwork realized by Giorgio De Chirico in the half of 20th Century. Rare specimen on light blue paper. Original title: "La sfida in ...

Milan: 1969. Linocut on watermarked CM Fabriano deluxe paper, 23 1/2 x 19 3/4 inches (596 x 501 mm), the full sheet. Signed, numbered 2/10, dated, and extensively inscribed in penci...

'Chittering and Chattering,' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individ...

'Chittering and Chattering III' Linoleum Block Print, Edition 10, 11 5/8 x 11 5/8 Inches, is one of a series of 6 related prints in this size in varying shades of blue. Sold ind...

Elizabeth Peyton (American, b. 1965) Peter, 2018 Medium: Linocut on paper Dimensions: 46 x 59 cm Edition of 30: Hand-signed and numbered in pencil Condition: Mint Images of edition ...

'Wading and Wondering,' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually...