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Drake's Tales of Treachery
Drake's Tales of Treachery

Drake's Tales of Treachery

By Arthur David McCormick

Located in Belgravia, London, London

Oil on canvas Canvas size: 20 x 30 inches Framed size: 28 x 36 inches Signed lower right

Category

19th Century Arthur David McCormick

Materials

Canvas, Oil

Historical genre oil painting of a royal messenger
Historical genre oil painting of a royal messenger

Historical genre oil painting of a royal messenger

By Arthur David McCormick

Located in Nr Broadway, Worcestershire

Arthur David Mccormick Irish/British, (1860-1943) The Royal Fanfare Oil on canvas, signed Image size: 23.5 inches x 17.5 inches Size including frame: 31.5 inches x 25.5 inches Provenance: Frost & Reed A wonderful historical painting of a trumpeter signalling the arrival of the Royal Ship by Arthur David Mccormick. The Herald, dressed in yellow livery plays a fanfare as the others prepare for the arrival of the Royal boat. Arthur David Mccormick was a painter of historical, naval, and genre scenes who was born in Coleraine, Ulster in Northern Ireland on 14 October, 1860. After attending his local school, he studied at the Government School of Design in Belfast. He then moved to London where he enrolled at the Royal College of Art in 1883. To support his studies he also contributed drawings and designs to the English Illustrated Magazine and Illustrated London News. McCormick made his debut at the Royal Academy in 1889 continuing to exhibit there throughout his life. He exhibited at the Royal Society of British Artists from 1890, becoming a member in 1897 and at the Royal Institute of Oil Painters, Royal Institute of Painters in Watercolour and the Alpine Club Gallery. As well as being a yachtsman he also took an interest in mountaineering and on 5 February 1892 joined Sir Martin Conway’s expedition to the Karakoram Himalayas as their artist. He produced more than 300 illustrations, mainly watercolour paintings which appeared in Conway's 1894 book ‘Climbing and exploration in the Karakoram Himalayas’. He later published his own book ‘An artist in the Himalayas’ using his pencil sketches from the expedition. He married Helen MacAlpine-Woods at Strean Church, Newtonwards, Ireland on 25 September, 1894. The couple lived at 58 Queens Road, St John’s Wood where their only daughter Helen Gladys was born in 1895. During the same year, he travelled with Clinton T. Dent’s on his expedition to the Caucasus Mountains, producing a number of sketches and drawings. He was also made a fellow of the Royal Geographical Society in 1895 in recognition of his work. After the death of his wife in 1899, he remained at Queens Road from where he continued to work and exhibit, employing a governess to help with his daughter. When the Ulster Arts Club was formed in 1902 he was among its first honorary members. In 1905, he was made a member of the Royal Institute of Oil Painters and in 1906 became a member of the Royal Institute of Painters in Watercolours. On 7 May, 1906 he married Helen (Nellie) Elizabeth K Laker, his daughter’s governess. In addition to painting he also produced illustrations for many books mostly related to travel and adventure. He was employed by John Player & Son in 1927 to paint the sailor's head and shoulders for their cigarette packets as well as producing a number of oil paintings which were used as promotional posters. Around 1934 he moved to 53 Colet Gardens, Hammersmith, where he spent the rest of his life. He died in London, aged 83, on 12 March, 1943. Examples of his work can be found at the Alpine Club Collection, Coleraine Museum, Grundy Art Gallery, Imperial War Museum, National Museum of Wales, National Museum of the Royal Navy Portsmouth, Newport Museum, The Box Plymouth and Williamson Art Gallery. Presentation: The work is housed in its original gilt frame which is in excellent condition. The reverse bears a label for Frost & Reed and is dated 5 November 1936. Frost & Reed is a well known fine Art Gallery, frame makers and fine art publishers founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...

Category

Early 20th Century Arthur David McCormick

Materials

Canvas, Oil

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Materials

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By Bruno Surdo

Located in Chicago, IL

This painting reflects Bruno Surdo’s continued engagement with classical realism as a vehicle for contemporary allegory. A young girl, centered and frontal, sits in an inflatable ring surrounded by floating plastic waste—bottles, containers, straws—both above and beneath the water’s surface. The composition is calm, almost symmetrical, yet emotionally unsettling. Surdo’s atelier-based training is evident in the careful modeling of the child’s anatomy, the naturalistic rendering of skin tones, and the controlled atmospheric perspective. The figure is painted with the same dignity and structural clarity found in Renaissance portraiture, elevating what could be a simple environmental image into a modern history painting. Art historically, the work draws from the tradition of allegorical portraiture, where innocence is personified to communicate moral themes. The child recalls Renaissance depictions of putti or symbolic youth figures, yet here innocence is placed in peril. The floating debris creates a contemporary vanitas motif: instead of skulls and extinguished candles, the symbols of decay are plastic and petroleum byproducts—markers of environmental neglect. The waterline dividing the composition subtly recalls the layered moral narratives of Baroque painting, where surface beauty often concealed deeper truths. The title, Contaminating the Innocent, underscores this allegorical intent, transforming the image into a meditation on generational responsibility. Within Surdo’s broader oeuvre—often concerned with spectacle, identity, and human consequence—this painting shifts toward ecological consciousness. Yet it remains consistent with his practice of grounding urgent modern themes in the visual authority of classical technique. By presenting environmental degradation through the lens of Renaissance-informed realism, Surdo avoids didactic illustration and instead creates a quiet, haunting indictment. The stillness of the child’s gaze contrasts with the chaos of the polluted water, reinforcing the central tension: the vulnerability of innocence in a world shaped by adult action. Bruno Surdo Contaminating the Innocent oil on canvas 48h x 48w in 121.92h x 121.92w cm BRS072 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

Category

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Materials

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Located in Vicoforte, IT

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Waterfall and Timber – A View from Norrland
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By Oscar Lycke

Located in Stockholm, SE

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Category

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Materials

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H 38.5 in W 38.5 in D 2 in

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Located in Lake Worth Beach, FL

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Category

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Victorian Portrait of Alexander Smith, Oil on Canvas, Mid-19th Century
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Category

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Materials

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Previously Available Items
Treasures From A Far

Treasures From A Far

By Arthur David McCormick

Located in Belgravia, London, London

Oil on canvas Canvas size: 21 x 28 inches Framed size: 27.25 x 35 inches Signed lower right

Category

19th Century Arthur David McCormick

Materials

Canvas, Oil

Arthur David Mccormick art for sale on 1stDibs.

Find a wide variety of authentic Arthur David McCormick available for sale on 1stDibs. You can also browse by medium to find art by Arthur David McCormick in canvas, fabric, oil paint and more. Not every interior allows for large Arthur David McCormick, so small editions measuring 26 inches across are available. Customers who are interested in this artist might also find the work of Benjamin Williams Leader, Frank Moss Bennett, and Adolphus Knell. Arthur David McCormick prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $5,861 and tops out at $5,861, while the average work can sell for $5,861.

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