Ashlie Benton Art

Rick Sindt's knowledge of the male physique is evident in this drawing of a nude male torso. The subject is tilted back with his head turned away, as if to shield himself from the v...

Tammy Liu-Haller's "Bison" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a buffalo in profile. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

David Sharpe, second-generation Chicago Imagist — 1991 figurative portrait, graphite & watercolor on paper. A psychologically charged seated figure defined by crisp graphite contour and more expansive, saturated watercolor passages. Sharpe’s post-Imagist language—bold figuration, surreal inflection, and emotional intensity—animates the mask-like face and the calligraphic mapping of the garment and chair, setting up a vivid dialogue between observation and invention. Dated 1991, this work embodies the Chicago school’s distinctive blend of wit and bite while remaining intimately drawn and friendly in scale. Institutional collections (selection): Art Institute of Chicago; Museum of Contemporary Art Chicago; Smart Museum of Art, University of Chicago; Scottish National Gallery of Modern Art; Mary & Leigh Block...

Loretta Hirsch, LOVE CHAINS, ink marker pencil, liquid ink, gold leaf, on German Card stock Paper, 11.70 X 8.30 in, $740.00 (unframed) Born in Oklahoma and educated at the Atlanta C...

Davidoff creates drawings, paintings, prints and installations that consider intricate patterns in nature and the overlaying systems used to observe, map and define organic landscape...

Davidoff creates drawings, paintings, prints and installations that consider intricate patterns in nature and the overlaying systems used to observe, map and define organic landscape...

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

Tammy Liu-Haller's "Ram" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a ram with majestic horns. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

Tammy Liu-Haller's "Cougar" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a cougar. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living be...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...