Ashlie Benton Art
American
Ashlie Benton's evocative paintings deploy a unique vocabulary of visual forms. Horses and hands. Coyotes and crowns. Mysterious geometric symbols, suggestive traces of text, and expressive fragments of human anatomy. At first glance, the poetic combinations might seem confusing. What, for example, do four sets of human eyes have to do with a ladder? And how do these in turn relate to an ancient sculpture, its head broken off, the folds of its toga represented by thin, fragile white lines?
One way to answer such questions--to decode the messages of Benton's dreamlike work--is to consider how art functions. Renowned American critic Arthur C. Danto asserts that one of the key characteristics of fine art is the presence of what he calls the "ellipsis," that is, the deliberate and often metaphorical gap that compels readers/viewers to participate in creating meaning by filling in what is missing. French avant-garde master Marcel Duchamp spoke extensively about the importance of viewers co-creating the meaning in that gap. He asserted that art is the product of two poles: "There's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it."
Unlike illustrators who give viewers clear, immediately comprehensible visual narratives, Ashlie Benton distributes clues across her paintings, inviting viewers to discover or produce meaning much as a detective assembles evidence to solve a crime. (The connection between the interpretation of artistic symbols and the process of criminal detection is nothing new. Indeed, it is the basis for several novels by noted Italian philosopher Umberto Eco.)
Benton uses surprising juxtapositions to point to new, unexpected meanings. In doing so, she rehearses a process initially engaged by the Surrealists, who knew that startling contrasts could produce unpredictable responses. (Think of Salvador Dali's melting watch, goblet-lined dinner jacket, or lobster telephone.)
Benton's work is both emotionally mysterious and physically seductive. Her rich, handsome compositions employ a wide range of materials: oil paint, oil stick, acrylic, gold leaf, graphite, thread. Some of the works are saturated in heavily pigmented color; the blues and reds are especially vivid. Others are more minimal, with pale washes of paint over an almost white ground.
The scattered, often fragmented nature of the images paired with the deliberate naivete of Benton's drawing style has produced an oeuvre of apparent innocence, even vulnerability. But the unpretentious nature of her work belies impressive professional sophistication. The artist has had superlative role models, excellent training, and years of experience.
So what do the eyes and ladder and headless sculpture mean? As a viewer, you are challenged to look carefully, ponder the possibilities opened by the "gap," and complete the artwork by creating your own meaning for it.to
1
1
1
1
Overall Height
to
Overall Width
to
1
1
1
1
1
1
1
6,857
3,172
2,516
1,217
1
1
1
1
1
Artist: Ashlie Benton
Soft Dissolve
By Ashlie Benton
Located in Saint Louis, MO
Ashlie Benton
Soft Dissolve, 2013
Oil, graphite, gold leaf on Nepal paper
38 x 26.75 inches (96.5 x 67.9 cm)
Edition EV 2/9
Category
2010s Contemporary Ashlie Benton Art
Materials
Gold Leaf
Related Items
Lee Hurst (3/4 Figure, Hands Together), Mixed media on Pergamenata parchment
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...
Category
2010s Contemporary Ashlie Benton Art
Materials
Paint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayon, Oil Pastel,...
Freya (Seated Backwards), Mixed media on grey board
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...
Category
2010s Contemporary Ashlie Benton Art
Materials
Other Medium, Archival Paper, Handmade Paper, Pen, Felt Pen, Permanent M...
Fear of a Constantly Harrowed Heart - Male Nude Torso, Oil & Graphite on Paper
By Rick Sindt
Located in Chicago, IL
Rick Sindt's knowledge of the male physique is evident in this drawing of a nude male torso. The subject is tilted back with his head turned away, as if to shield himself from the v...
Category
2010s Contemporary Ashlie Benton Art
Materials
Oil, Archival Paper, Graphite
Jake W. (Before Paris II), Mixed media on Fabriano paper
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, includi...
Category
2010s Contemporary Ashlie Benton Art
Materials
Felt Pen, Pencil, Carbon Pencil, Color Pencil, Graphite, Gesso, Pigment,...
Tom Cawson (Sitting - Hand on Head), Mixed media on grey cardboard
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...
Category
21st Century and Contemporary Contemporary Ashlie Benton Art
Materials
Other Medium, Paint, Graphite, Color Pencil, Carbon Pencil, Pencil, Pen,...
Oleg (Kimono), Mixed media on ochre parchment paper
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...
Category
2010s Contemporary Ashlie Benton Art
Materials
Paint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayon, Oil Pastel,...
Twilight
By Alessandra Maria
Located in Chicago, IL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category
21st Century and Contemporary Contemporary Ashlie Benton Art
Materials
Gold Leaf
Natasha (Sitting), Mixed media on Pergamenata parchment
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear. There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan.
Examples of Tangye’s portraits are held in many important collections, both public and private, including the Victoria and Albert Museum (V&A), Harvard University and London’s National Portrait Gallery.
Throughout his teaching career Tangye quietly developed a particularly idiosyncratic art practice. By employing a decisive line with bold applications of richly layered materials, Tangye explores the nuances of the human form in an effort to expose his subjects’ true essence and energy.
—
Howard Tangye
Natasha (Sitting), 2012
Mixed media on Pergamenata parchment
100 x 70 cm (39.37 x 27.55 in)
(signed) (unframed)
—
This portrait shows Natasha, an ex-student and model. Here she’s posed in Howard’s studio wearing a look from Louise Gray’s S/S 2013 collection. The collection featured headwear by Stephen Jones, the renowned British milliner who created the cut-out plexiglass fascinator Natasha wears here.
This work hails from a series commissioned by Dan Thawley, director of “A Magazine Curated By” for the edition guest edition by Jones who dedicated his issue to Anna Piaggi...
Category
2010s Contemporary Ashlie Benton Art
Materials
Gesso, Paint, Paper, Parchment Paper, Chalk, Charcoal, Crayon, Oil Crayo...
Nobu (Hands on Legs - Blue & White), Mixed media on ochre parchment
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, includi...
Category
2010s Contemporary Ashlie Benton Art
Materials
Paint, Paper, Parchment Paper, Charcoal, Oil Crayon, Oil Pastel, Pastel,...
Giorgio (Two figures, pink & blue), Mixed media on Pergameneta parchment
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...
Category
2010s Contemporary Ashlie Benton Art
Materials
Paint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayon, Oil Pastel,...
Craig (Richard's Friend - Sitting - Blue Jacket), Mixed media on grey parchment
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear. There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan.
Examples of Tangye’s portraits are held in many important collections, both public and private, including the Victoria and Albert Museum (V&A), Harvard University and London’s National Portrait Gallery.
Throughout his teaching career Tangye quietly developed a particularly idiosyncratic art practice. By employing a decisive line with bold applications of richly layered materials, Tangye explores the nuances of the human form in an effort to expose his subjects’ true essence and energy.
—
Howard Tangye
Craig (Richard's Friend - Sitting - Blue Jacket), 2012
Mixed media on grey...
Category
2010s Contemporary Ashlie Benton Art
Materials
Paint, Paper, Parchment Paper, Chalk, Charcoal, Crayon, Oil Crayon, Oil ...
Philip Ellis (Standing - Stripe Top), Mixed media on Pergamenata parchment
By Howard Tangye
Located in London, GB
Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear. There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan.
Examples of Tangye’s portraits are held in many important collections, both public and private, including the Victoria and Albert Museum (V&A), Harvard University and London’s National Portrait Gallery.
Throughout his teaching career Tangye quietly developed a particularly idiosyncratic art practice. By employing a decisive line with bold applications of richly layered materials, Tangye explores the nuances of the human form in an effort to expose his subjects’ true essence and energy.
—
Howard Tangye
Philip Ellis (Standing - Stripe Top...
Category
2010s Contemporary Ashlie Benton Art
Materials
Paint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayon, Oil Pastel,...
Ashlie Benton art for sale on 1stDibs.
Find a wide variety of authentic Ashlie Benton art available for sale on 1stDibs. You can also browse by medium to find art by Ashlie Benton in gold leaf, gold, graphite and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Ashlie Benton art, so small editions measuring 27 inches across are available. Ashlie Benton art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,000 and tops out at $3,000, while the average work can sell for $3,000.