Austin Briggs Prints and Multiples

"Maternity with Centaur (M.195)" is a lithograph on Arches created by Marc Chagall . Printed in Paris by the renowned master printers Atelier Mourlot Frères, it was published by Édit...

Joan Mitchell (1925-1992) Trees (Rouge/Noir), c. 1992 Medium: Lithograph in Colors on Arches Paper Signed to lower right Edition: 13/125 Artwork Size: 30 x 22 in Framed Size: 38.5...

Acrobats, circa 1969, by Marc Chagall. Lithograph in color on Velin paper, from an edition of 2,000. Artwork dimensions: 12.5 × 9.5 inches (31.75 × 24.13 cm). Framed dimensions: 16.7...

Ada in Blue Hat 2004 Aquatint in 11 colors 33 1/2 x 67 in. Edition of 75 Pencil signed and numbered With flat planes of rich, lovely color, Alex Katz’s landscapes and portraits evok...

Rare and beautifully framed authentic 1895 Cycles Clément Paris lithographic poster featuring a stylized cyclist portrait and bold Art Nouveau typography, complete with certificate o...

La Revue Blanche, 1895 Medium: Lithograph on Paper Artwork Size: 52 x 37 in Framed Size: 62 x 47.75 in This work is Framed La Revue blanche was a French art and literary magazin...

Abstract French lithograph, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plasti...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips M...

El Mercado de Pátzcuaro II captures a glimpse of daily life in the highland town of Pátzcuaro, Michoacán. The scene shows three Indigenous figures, rendered with bold lines and earthy tones, standing amid the bustle of the market. Two men in traditional white cotton clothing and wide-brimmed straw hats stand in conversation, their woven baskets and bundles suggesting they are either arriving to sell goods or preparing to return home with their purchases. Beside them, a woman cloaked in a dark rebozo gazes outward, her expression reflective and steady, grounding the composition with a quiet dignity. The strong woodcut textures emphasize folds of fabric, rough straw, and woven fiber, reminding the viewer of the handmade traditions that sustain the culture. The marketplace of Pátzcuaro has long been a hub of commerce and cultural exchange, and Oñate’s print conveys both the social energy and the rooted traditions of this setting. The figures are depicted not as anonymous passersby but as individuals whose posture, clothing, and belongings tell stories of community, resilience, and labor. The muted yet warm palette, accented with yellows and reds, suggests early morning light spilling across the plaza’s cobblestones, while the abstracted background blocks provide rhythm and structure without distracting from the human presence. Francisco Rodríguez Oñate (1940–2019) was a distinguished Mexican post-war and contemporary artist whose career extended over several decades throughout Mexico, the United States, and Latin America. Born in Michoacán, he received his education at the Escuela Popular de Bellas Artes at the University of Michoacán, where he studied under esteemed artists such as Alfredo Zalce, Roberto Martínez, and Javier Arévalo...

(after) Salvador Dali Tienta en Espana, 1983 Lithograph and embossing after an etching Plate signed On Arches vellum 30 x 37" (74 x 93 cm) REFERENCES : Field 67-2 edition descibed p....

Striking lithograph in green of fantasy creature by French artist Aristide Caillaud, 1963. Signed in pencil lower right. Original artwork on paper ...

Detailed black and white etching of a man playing the accordion by artist Louis Joseph Soulas, 1944. Signed lower right. Original artwork on paper displayed on a white mat with a ...