Loch Ness 2
By Barry Flanagan
Located in London, GB
Etching on paper
1970s Barry Flanagan Art
Etching
Loch Ness 2
By Barry Flanagan
Located in London, GB
Etching on paper
Etching
Herring Drifter at Fort Augustus
By Barry Flanagan
Located in London, GB
Linocut on paper
Linocut
Stones
By Barry Flanagan
Located in London, GB
Published by Bernard Jacobson Ltd, London 1976. Exhibition History: Bernard Jacobson Gallery, London, 'Prints I Published', 13 February - 9 Ma...
Linocut
French Etching - Place Stanislas
Located in Houston, TX
Playful black and white etching of a child figure looking out on a quaint city square in Nancy, France, 1959. Signed and dated lower right, titled and numbered 16 of 140 lower left. ...
Paper, Ink, Etching
Londres (London)
By Maximilien Luce
Located in New York, NY
Pencil signed by both Luce and Jacques Villon (Villon etched the image) and numbered 120/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris. Catalogue Raisonne:...
Etching, Aquatint, Color
$950
H 15 in W 21.5 in
Lino Litho BR, Planche VI, Abstract Linocut Print, Signed, 1970, 56/99
By Pierre Alechinsky
Located in Fairlawn, OH
Lino Litho BR, Planche VI Linocut and lithograph, 1970 Signed lower right in pencil (see photo) Edition: 99 (56/99) (see photo) Published by London Arts Group, Detroit Condition: Exc...
Linocut
$1,701
H 31.11 in W 21.66 in
Abstract India Edition 3/5 Linocut Print Green Blue Turquoise Architectural
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Archival Ink, Archival Paper, Linocut, Archival Pigment
$750
H 20.75 in W 11.75 in D 1 in
Etching and aquatint of Wall Street, New York, 1920s
By Max Pollak
Located in Colfax, CA
Etching and aquatint of Wall Street, New York circa 1928 by Max Pollak. Painter and printmaker Max Pollak, (1886-1970), was born in Prague, Czechoslovakia and was raised in Vienna, A...
Etching, Aquatint
$75,000
H 20.88 in W 15.38 in
La Dame à la Collerette (Portrait de Jacqueline à la fraise)
By Pablo Picasso
Located in New York, NY
A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...
Color, Linocut
$1,100
H 17.75 in W 16 in
The glass mountain shattered David Hockney Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Etching, Aquatint
$165,000
H 25.25 in W 21 in D 0.13 in
Jacqueline au Bandeau de Face (Grand Tête de Femme)
By Pablo Picasso
Located in New York, NY
Stunning and iconic portrait of Picasso's wife, Jacqueline Roque, signed in pencil by Picasso and numbered in pencil from the limited edition of 50.
Linocut
Alex Katz Forest 1992 Signed Aquatint Edition of 40
By Alex Katz
Located in Minneapolis, MN
Artist: Alex Katz (American, b. 1927) Title: Forest Medium: Aquatint in Five Colors Year: 1992 Image Size: 29.25" x 66.25" Frame Size: 35.75" x 72.75" x 1" Edition: 38/40 + 12 AP Pub...
Paper, Aquatint
Femme Couchée et Homme au Grand Chapeau
By Pablo Picasso
Located in New York, NY
Color linoleum cut, 1959. Signed by Picasso and numbered 37/50 in pencil, lower margin. Printed by Arnéra, Vallauris. Published by Galerie Louise L...
Color, Linocut
$62,192Sale Price|20% Off
H 28.5 in W 30.75 in
Picador Entrant Dans L’Arène, 23/50, circa 1959 — Pablo Picasso, Linocut
By Pablo Picasso
Located in Santa Monica, CA
Picador Entrant Dans L’Arene, circa 1959, by Pablo Picasso. Linocut in colors on Arches paper, edition 23/50. Literature: Bloch 942; Baer 1221. Image size: 6.5 × 8.75 inches. Paper s...
Archival Paper, Linocut
$1,650
H 16 in W 17.75 in
Barbara Latham Saturday Morning, Taos Plaza, 1950s Modernist Linocut
By Barbara Latham
Located in Denver, CO
A lively and distinctive 1950s modernist linocut by Barbara Latham (1896–1989), Saturday Morning (Market, Taos Plaza, New Mexico) captures the energy of everyday life in the historic...
Linocut
Fil du Temps
By Etel Adnan
Located in London, GB
Etel Adnan "Fil du Temps" 2021. Etching on wove paper. Edition of 100. A critical work by Adnan, the final etching in this series. Etel was unable to put pencil to paper due to her ...
Etching
$70,000
H 30.375 in W 66.875 in
Alex Katz Black Brook 1992 Signed Aquatinit Edition of 50
By Alex Katz
Located in Minneapolis, MN
Artist: Alex Katz Title: Black Brook Medium: Aquatint in Colors on Wove Paper Sheet size: 30 3/8 x 66 7/8 Inches Edition: Publisher's Proof 1/4, aside from the standard edition of 50...
Aquatint, Wove Paper
$40,000
H 24.375 in W 29.625 in
Peintre dessinant et modèle nu au chapeau (Painter Drawing a Nude Woman)
By Pablo Picasso
Located in Palo Alto, CA
Pablo Picasso Peintre dessinant et modèle nu au chapeau, 1965; Created between 1965, this linocut on arches paper is hand-signed by Pablo Picasso (1881-1973) in pencil in the lower r...
Linocut
Barry Flanagan Blue Horses Lithographs in Gilt Italian Frames
By Barry Flanagan
Located in Atlanta, GA
Blue Horses Lithographs by Barry Flanagan for the limited edition folio Noise No. 5, published by Maeght Gallery, France, circa 1988. They have been professionally framed in vintage ...
Glass, Wood, Paper
Pilgrim on Anvil, 1984
By Barry Flanagan
Located in BUNGAY, SUFFOLK
Barry Flanagan (British, 1941-2009): Pilgrim on Anvil No 5, cast in an edition of 7 plus one artist's cast Signed, the anvil dated 1951 Bronze Conceived in 1984 Provenance: Private collection, acquired directly from the artist Exhibition history: Waddington Galleries, 29th May-22nd June 1985. Catalogue and private view invitation included Literature: Enrique Juncosa (ed.), Barry Flanagan: Sculpture 1965-2005 (Ireland, 2006) no.89, p.89, illustrated. Ferdinand Ulrich (ed.) Barry Flanagan: Sculpture and Drawing (Kerber Verlag, 2002), illustrated Related to: No.2 of the same edition included in Recklinghausen Kunsthalle, Barry Flanagan: Plastik und Zeichnung - Sculpture and Drawing, 5 May-14 July 2002, cat no.2, illus color p110, touring to: Nice, Musée d'Art Moderne et d'Art Contemporain, 6 December 2002-25 May 2003 Tate Britain held a retrospective on Barry Flanagan 2011-2012. Barry Flanagan was one of Britain’s most important and original artists, and this exhibition re-evaluated his position as a key figure in the development of British and international sculpture. Focusing on the artists’ studio practice it brought together works from 1965-1982. It highlighted how his sculptures emerged through the interaction of idea, form and process and reflected his interest in and engagement with literature, poetry and 'pataphysics. The show also demonstrated the vital impact these early works had on the development of Flanagan's hare sculptures. This was the first major exhibition of Flanagan’s work in London since 1983. The sculpture consists of an up-ended bronze anvil with an abstract linear motif balanced on or projecting from the tip, the whole richly patinated. Measures: Height 34 cm, 13¼in, width 78 cm, 30¾in, breadth 22.5 cm, 9in. The anvil is a peculiarly appropriate image for a sculptor and it is used knowingly here and in a number other of Flanagan's sculptures. Its apparent solidity lends a physical gravitas to the piece, and as a classical form it also lends the gravitas of thousands of years of history. The anvil is a tool with which otherwise intractable raw materials are manipulated into man-made lines and transformed into useful objects. Its inertia allows the energy with which it is struck to transfer to the object which is being formed, it acts as a medium. It is a craftsman's tool and Flanagan identified with the craftsman; for a while as a younger artist he supplemented his income with work as a builder, frame-maker and then baker, and later he worked at a stone mason's yard. His practice as an artist was 'based on the notion of skill within a particular Craft.' Fuchs, R. (foreword), Barry Flanagan: sculpture 1966-1976 (Eindhoven: Municipal Van Abbemuseum, 1977). Anvil, 1981 (exhibited at Venice Biennale 1982) The anvil here is tilted onto one end, giving a sense of movement to an otherwise stabile form. It looks as though it has been knocked over or even tossed aside as if it weighs very little, by a super-human force...
Bronze
"Rabbit, " etching and aquatint by Barry Flanagan
By Barry Flanagan
Located in Milwaukee, WI
"Rabbit" is an original etching and aquatint by Barry Flanagan. The edition number is 8/40 and the artist signed the piece under the image. It depicts an abstracted rabbit. 5" x 6"...
Etching, Aquatint