Bengt Johan Gullberg Furniture

Illum Wikkelsø coffee table veneered in rosewood. Two extension leafs. Made by Kofoed's møbelfabrik.

Rare Mid-Century Modern Cocoon Pendant Light by Goldkant Leuchten, Germany, 1960s An exceptional example of mid-century lighting design, this sculptural pendant lamp was produced by...

Johannes Andersen coffee table in rosewood.  

Classic and Rare 1950s mid century Palm Beach Style, outdoor wrought iron & mesh patio / garden set with four dining chairs and round table by Woodard Furniture Co. From the Carolina Forge...

Elegant Italian console table from the 1950s, crafted from solid wood with an ebonized finish and featuring a fine “Verde Alpi” marble top. The demilune profile of the top, combined ...

Gold colored vintage coffee table or sofa table, which shows two revolving smoked glass plates and one in the middle. The multi functionality makes this sofa table to a stylish inter...

With a unique surface using contrasting squares of burl wood, this Mid-Century Modern console table features an interesting base of metal with a yellowish golden tint. Please confirm...

Rare Mid-Century Modern Cocoon Pendant Light by Goldkant Leuchten, Germany, 1960s An exceptional example of mid-century lighting design, this sculptural pendant lamp was produced by...

Sleek metal console in the style of Maison Jansen, featuring a black glass top and classic cross-stretcher design with central rosette medallion. The tapered legs and lower curved st...

Occasional table designed by Josef Frank for Svenskt Tenn, Sweden. 1950s. Mahogany. H: 45 cm L: 80 cm D: 40 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

A classic example of Ilmari Tapiovaara’s functional Nordic design language, this X-leg table was produced by Keravan Puuteollisuus Oy in the 1950s. The table features Tapiovaara’s ch...

An outstanding console table executed in mahogany with brass hardware, three drawers, and side doors provide plenty of storage space. Completely restored. Other designers from t...