Bernard Moore Bowls and Baskets

Rare and striking, this Art Deco bowl by the renowned Fulper Pottery features its signature flambe glazes inside the bowl -- in shades of caramel, green and blue -- in addition to three Medieval-influenced shields applied to the rim, each with knight's helmet and star motifs. Founded in 1809, Fulper produced utilitarian ware in the Trenton, New Jersey area for many years, but in 1910 Martin Stangl became the ceramics engineer and artistic director, producing a line of Art Nouveau and Art Deco pieces...

A large vintage studio pottery bowl. Gray exterior glaze with a contrasting brown interior. Decorated around the sides with quirky blue hand painted nude people...

Beautiful bowl by the very well known potter Laura Andreson. Signed in bottom.

1970s Art Pottery Drip Glazed Pedestal Bowl 7 h x 9.13 diameter Preowned original vintage condition. Refer to images listed

Fully glazed bowl with swirling brown stripes and blue flowers. The glaze has been applied through a cow horn - distinct Kähler Technique. Made by Herman August Kähler circa 1915-25....

Beautiful glaze color on this magnificent large low planter bowl , circa 1970's excellent condition no chips or cracks , unsigned well done piece heavy and perfect shape.

A gorgeous, substantial work. Beautifully designed and made. Signed/ chop stamped by the artist on the base. From a prominent Los Angeles collection of Japanese and Asian ceramics ...

Bernard Moore, signed to the base. A small red Flambe vase decorated with a dragon in the Japanese style.

Antique Islamic Kashan Persian 13th century turquoise glazed pottery bowl. This bowl with vertical foot has interior paint in brilliant tur...

Bernard Leach St Ives Pottery, attributed. A Japanese inspired reduced stoneware bowl with brown glaze to the interior and a calligraphy stroke in blac...

1960s Vintage Dreamy Blue Tan Cereal Ceramic Bowl made in England 6 diameter x 2.38 tall Beautiful color combination MADE IN ENGLAND, stamp underneath. Preowned unrestored vintage c...

The ceramic bowl is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...