Bieffeplast Case Pieces and Storage Cabinets

Well-proportioned eight-drawer cabinet for jewelry or anything else. Black and Rosewood veneer.

Italian Space Age Red plastic Modular chest of drawers by Anna Castelli for Kartell, 1970s Modular chest of drawers with square base and rounded corne...

Italian Post modern plastic storage Boby trolley by Joe Colombo for Bieffeplast. designed in 1968. Iconic design, Logo and signature present. features several storage compartments a...

Offered by M2L. With two drop down doors and two drawers. Designed by Swiss architect Fritz Haller and Paul Schaerer in 1963. Made from powder coated steel and chrome plated stee...

French 19th Century shop counter in original paint. With one drawer.

Mid-Century Modern Edward J. Wormley for Dunbar cabinet with brass Asian hardware. All original dark had rubbed finish on ribbon mahogany, top will be polished and touched up prior t...

Mobilidea Console with Rolling Tambour Blind on Top, Italy Offered for sale is a striking dry bar by Umberto Asnago for Mobilidea of Italy. The bar incorporates Palisander wood with...

One of a kind dressing table, space age style, 70s, with great influence of Art Deco aesthetics. In white lacquered wood, with a black marble effect fiberglass top. Large circular mirror in the upper part and the storage part is divided into two drawers on each side. With lighting in the upper and lower fin shapes. A piece of great sophistication and glamour, very difficult to find. It has a plate with the name of the Italian manufacturer DBM. The period known as the Space Age or Space Age was the post Atomic Age, that is, the late 50's and early 70's. It is part of the “stylings” that reigned in the US during the 20th century. The concept of an optimistic world based on a possible "Earth of Tomorrow" reigned by the dominance of atomic energy and space travel. This "Styling" is inspired by the North American space race, but above all, the aesthetics based on Science Fiction, space satellites, helmets, ships, the effect of weightlessness and a "cinematic" proposal of a new style. of life of the future. Movies like Barbarella 1968, James Bond, Space Odyssey 2001...

Element decoration - sideboard for music TV Show. removable. Big size 400 x 120x 120 cm Fiberglass and metal.

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Element decoration - sideboard for music TV Show. removable. Big size 400 x 120x 120 cm Fiberglass and metal.  

A handsome painted French pine bar counter, circa 1880, featuring columned details along the front and sides. The open back is fitted with two small drawers above open shelving, offe...