Bill Hager Art

Contemporary oil on canvas, this very large painting has fine naturalistic detail, with deep sky tones, rich coloring, crisp trees/leaves and lines of lighted meadow reflected in the...

The Old Mill is a 19th century oil painting on board by Scottish artist Colin Hunter, (1841-1904). Hunter was a member of the Royal Academy with the title...

Eric Sloane American, 1905-1985 New England Landscape with Barn Oil on panel 22 by 30 in, w/ frame 30 ½ by 39 in Signed lower right Eric Sloane was born, Everard Jean Hinrichs, on ...

Exhibition-sized painting of Iona Island coast by celebrated Scottish artist Duncan Cameron (1837-1916), this is a large and expansive 19th century landscape oil painting on canvas. Renowned for his landscape paintings, this work captures the natural light on the sea, sand and rocks with splashes of rich color under a big sky. Iona off the west coast of Scotland, has attracted artists for for its dramatic scenery and northern light, including the Scottish Colourists who favored the fresh pure light. The cliffs and coastal rocks are reminiscent of works by Samuel Peploe and Duncan Fergusson of this fabled island. In 1876 Cameron won a Gold Medal for landscape painting, at the Crystal Palace exhibition. The year after this painting (circa 1870s) Cameron began exhibiting in the Royal Academy, Society of British Artists, and Royal Scottish Academy, showing his work consistently from 1880. Other venues for exhibiting his work include the Glasgow Institute, Walker Art Gallery in Liverpool, Manchester City Art Gallery, and the Royal Hibernian Academy. His work is sold today in Fine Art Galleries in the UK and in Saltire Gallerie, USA. His landscape paintings are widely acclaimed, and this landscape painting of considerable size and detail is a fine example. Born in Perthshire, Cameron studied in Dundee and in South Kensington, London. He later died in Edinburgh. The highest auction sale of his work reached nearly 20,000 GBP. He was widely acclaimed as a landscape artist, painting Scottish farmlands and haystacks, coastal scenes and lochs. In this work the colors of the sea change from blue to green with white crests of waves. The rocks have splashes of red, rust and orange, and the beach has red and green in the sand. Water laps at the edge of beach and rock. A sailboat is a focal point, with distant sailboats on the water, and a rowboat by the central sailboat. A hill rises behind the beach painted...

Fine 19th century landscape oil on canvas by Alfred de Breanski Sr., this sunset, color and light, are exceptional in this work. Alfred De Brea...

Loch Awe and Kilchurn Castle is a landscape oil painting on board by 19th century artist Edward Train (1801 -1866). Train was a British artist, painting mostly landscapes in northern England and, like this one, in Scotland. The painting is signed E. Train (lower left) and dated 1850 or 1856, the last number being too faint to be certain. From 1850 to 1880 Train flourished as an artist, but his work was exhibited in galleries in northeastern England and Edinburgh from the 1830s. Born in Gateshead, Tyneside, Train left to take an apprenticeship with a London engraver. In the 1830s Train traveled with an expedition to the Hebrides and Shetland Islands. Here he became fascinated with the Scottish scenery that would become part of his repertoire of landscape art. Loch Awe lies in the west of Scotland in Argyll and Bute. Kilchurn Castle, built in the 16th century, lies on a peninsula inside the Loch, on the water's edge. Train would have traveled to the Highlands and painted the dramatic scene from the east banks of Loch Awe, across from the Castle. This painting captures the Highland mountains, loch and castle that was very much the ouevre of this artist's work. Train painted the Highlands decades before other renowned landscape artists of the 19th century, such as Alfred de Breanski, Louis Bosworth Hurt, Douglas and Duncan Cameron...

'Ferry of the Loaf' comes from the legendary tale of Thane of Fife, MacDuff, escaping the fury of MacBeth crossing the River Tay in the 11th century. The painting comes with a handw...

Stunning oil on canvas, scene of two young courting lovers in an extensive landscape. A French painter from the middle to late 19th century. Dastugue was a portrait and genre painter...

Night Trees 36 X 36 Oil on Canvas Rose James considers herself as a botanical abstractionist. Her inspiration comes from years as a botanical artist teaching for the New York Botani...

Charming mid century landscape painting of German valley and hay stacks by Weber, c.1950s. Signed lower right "Weber". Presented in rustic paint/giltwood f...

Landscape painting of a forest with hunters and their dog. The work is signed by the artist in the bottom corner. The canvas is framed in a gold frame with a black trim. Dimensions Without Frame: H 24 in x W 30.25 in. x D 1 in. Artist Biography: Texas artist, Peggy Byars, has been a professional artist since 1976. She feels that a work of art should involve the total person. One should sense the smells, feel the warmth of the sun, enjoy the fresh air and cold water hear the wildlife. Peggy's illumination technique, or glow, is the trademark of all her work, giving her paintings a refreshing aliveness and sense of being there. Ms. Byars has studied with Cowboy Artists of America Museum in Kerrville: Harvey...

It is only after we emerged from the horrible Pandemic, that we realized what a battle it was for simple daily living. Tom created The Battle a few years into the Pandemic. The pict...