Brandon Vickerd Art

Isadora II is a bronze sculpture with black patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan pays tribute to ballerina Isadora Duncan. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind...

"Felicity" Bronze Sculpture 15" x 16" x 9.5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979....

"Toro" is a unique bronze scultpure (2024) of Bulgarian mid career artist Günay Aliev. In this scultpure the artist depicts a forceful bull attacking. The bronze comes with a grani...

"Sitting Girl on Panel" is a bronze sculpture of a nude sitting female on a rustic panel. Edition 30, signed, numbered and dated on the back. The rustic panel can be hung on a wall ...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies+ II PA Fantastic piece of art representing Spanish sculpture Very popular artist in Europe and Lat...

The artist started with the astronaut theme during Covid 19. These works were influenced by the isolation and questions regarding our identity and place in our world and universe at...

Sculpture by the Spanish artist AMANCIO GONZALEZ Iron and bronze. Very popular artist in Europe and Latin America AMANCIO Gonzalez ( Leon 1965 ) Amancio González is a sculptor from ...

"Minimalist Seated Figure" Sculpture 5" x 2" x 3" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in ...

Alegria II is a bronze sculpture with black patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan wants to ...

Anna Karenina II is a bronze sculpture with dark patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s ...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life which are full of emotions and feelings along the life journey. Her metal artw...

"Girl Sitting XIV" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (comes with the hinges to hang up on the wall). The sculptress Susanne Kraisser is to be considered as part of the great modern figurative tradition. She was born in 1977 in Rosenheim, Southern Germany. She studied both at the Academy of Fine Arts Nuremberg and the University of Arts in Bremen. She graduated with distinction in 2007 in Nuremberg and received her Diploma with distinction in 2008 in Bremen. She has won numerous awards and exhibits nationally as well as internationally. Artist Statement: For me, sculpture is particularly shape and material, volume and size, space, movement and statics. I focus on the ‘female body’, presenting it either as an intimate miniature or on a monumental scale – each time as a solitary figure. In terms of content, my work focuses on identifying and combining polarities, such as instability and strength, fragility and solidity, activity and passivity, movement and statics, balance and volume, and dependence and autarchy. I work predominantly with the materials bronze, aluminium and wood. The small miniatures are made from wax and are then cast in bronze as part of what is known as the wax smelting process. Large-scale pieces are similarly cast in aluminium or created directly out of wood. The various work processes and tools determine the appearance of the surface; for wax, it’s my hands, and for wood, it’s my chainsaw. Each material is a new challenge for me. My previous wood-sculpting studies involved respecting the material’s limits to create craft of solid quality in keeping with the material. But this is where the intense discussion and its limit become clear. I fight with the material, and a lot of things go wrong. It becomes my opponent, whose limits I test out and reset if necessary. Cautious movements requiring a lot of physical tension are maintained without losing their inner dynamics. Amidst the often harmonious external form is a harsh dissonance evidenced by the rough, fragmented design...