Brian Elwell Abstract Paintings

​Helen Taylor (Contemporary) Watching Blue Prisms Signed with monogram, inscribed with title verso Oil on board 10 x 10 inches 11x 11 inches including the frame Helen Taylor’s pract...

Early Triptych Abstract Trees Forest Landscape Painting by British Urban Artist, Angela Wakefield. This rare early work is from an intense body of abstract work that formed the very ...

This piece, "Saffron Clearing", is a 36x36 oil painting on board by artist Carol Young featuring a vibrant barn in the midst of a yellow golden field and deep blue sky. The barn is a bluish violet with a scarlet red roof. A line of dark green trees are on the horizon. Young's use of complimentary colors make this painting jump out towards the viewer. About the artist: “I've always been an artist. At a young age I painted rocks...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

"Moon 2", a bold contemporary small-scale abstract landscape scene by California artist Cheryl Petty (American, b. 1949). A nocturnal color palette of dar...

Through the unique usage of color, light and spirit, K.L. McKenna's style captures the landscape in a most unexpected way. Her paintings are not just paintings of landscapes but color harmonies of a very high and unusual order. Her inspiration for the west comes from childhood summers spent prospecting for fossils in Wyoming with her paleontologist father and family. K.L. McKenna's scenes of Colorado, Arizona, Wyoming and Montana reflect her enthusiasm and spiritual connection to the geology of the west, where she paints on site throughout the year. K.L. McKenna, a resident of Woodstock, NY and Ward, CO, has had extensive experience working for museums and top exhibition design firms in New York, such as Ralph Appelbaum Associates and Albert Woods Design. She worked throughout the United States and Canada as a graphical user interface designer for major banking firms such as Citibank, First Boston and Lehman Brothers. K.L. McKenna was awarded a U.S. Patent for "The Geozoo," an educational toy design. She studied painting first with Mary Buckley at Pratt Institute, Brooklyn, NY and later with Nicholas Buhalis at the Kingston School of Art, Kingston, NY. In 2005, K.L. McKenna exhibited 24 of her paintings in the Borderlands Gallery at the Booth Western Art Museum, Cartersville, GA. She has participated in the annual auctions "Expanded Horizons," Yellowstone Art Museum, Billings, MT, and the "Annual Buffalo Bill Cody...

Small Early Triptych Study of Abstract Trees Forest Landscape Painting by British Urban Artist. This rare early work is from an intense body of abstract work that formed the very fou...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

​Helen Taylor (Contemporary) The Lost Day Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...