Brita Heilimo, Arabia Furniture

Italian midcentury modern design stoneware vase with abstract decoration, designed and produced by italian artist Guido Gambone with mark under the base, Italy 1950s

Organic modern stoneware vase designed and produced by ceramic artist Gunnar Hansson in his own studio in small Swedish town Lomma, circa 1950-1960s. In the style of Saxbo, Salto, Pa...

Large Saint-Clément Stoneware Vase, France, 1950s. This impressive and rare stoneware vase from Saint-Clément, France dates to the 1950s and is distinguished by its exceptional size ...

A danish glazed stoneware vase by unknown maker. circa 1950s Glazed stoneware vase, with four handles and fluted body. Unsigned. Measure: Height: 12".

A sizeable mid-century stoneware vase. Impressed: Wallakra.

Created by the Swedish ceramist Arthur Andersson in the middle of the 20th century, these voluminous vases are noteworthy for their formal symmetry and their banded designs, which of...

A unique stoneware vase by Jørgen Mogensen, showcasing intricate, organic patterns and a richly textured surface. The earthy glaze in tones of brown, red, green, and yellow brings a ...

Beautiful stoneware vase by Eric and Ingrid Triller, in an appealing, streamlined shape. Smooth, moss green glaze. Fleeing World War II, German potters Eric and Ingrid Triller settl...

This tall baluster vase is glazed in a deep brown ground with an overall repeat pattern of lighter brown marks and incised lines. Executed by Arthur Andersson Incised: Wallåkra / AWA

French Mid-century stoneware vase by ACCOLAY, France, 1950s. Height : 27cm (10.6"), Diameter : 18cm (7.1"). Marked "accolay" under the base (see photo, difficult to read) After the ...

Small cylindrical vase with Haresfur Glazes in earthy tones. Dessin number 78 by by Eva Stæhr Nielsen. Manufactured by Saxbo in Denmark during the 1950s. Mint condition. The vase is ...

A beautiful stoneware vase with amazing glaze. Made by Hertha Bengtson for Rörstrand, Sweden, 1950s. Excellent condition. Signed 'Bengtson' and 'R' för Rörstrand. Hertha Bengtson (1917-1993) is one of the well-known representatives of the illustrious Swedish ceramic design of the 20th century. She was one of the leading designers for the Rörstrand factory in the 1950s. Bengtson is represented at the Swedish National Museum of Art and Design. Hertha Bengtson was born in Ysane in Blekinge and grew up on a farm with her four brothers. Her parents were Henning and Asta Bengtson. Her father was a jack-of-all-trades and ran both a mink farm and a shop alongside his farm, which was the least of his interests. Her mother, to whom Hertha Bengtson was very close, was a skilled weaver. Hertha Bengtson's interest in textiles and handicrafts came from her mother. From her grandmother she inherited Scanian country textile knowledge and from her grandmother’s neighbour she learned to tat the Scanian way, without patterns. Upon completing her education at a girls’ school, Hertha Bengtson wanted to become a drawing teacher. However, there was no money to continue her formal education. Hertha Bengtson achieved top marks in drawing and handicrafts and therefore gained a place as a handicrafts teacher at one of the region’s elementary schools. During her time at the girls’ school, she had also taken evening classes in porcelain painting. In 1937 she applied to Hackefors’ porcelain factory in Linköping where she became employed as a pattern designer. Hertha Bengtson was interested in all aspects of the factory and when the men were called up for military service at the outbreak of the Second World War, she became head of her department at age 22. Hertha Bengtson wanted to create her own porcelain. She applied to and became employed at Rörstrand’s porcelain factory in 1941, where she started as a pattern designer but quickly became a master designer. Hertha Bengtson’s ability to combine beauty with function was fundamental to her success as a designer. Her breakthrough came with the innovative blue-and-white tableware...