Caroline Hutchinson Art

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Lacey Jane's "Red Room" is an original, handmade oil painting that depicts an ambiguous interior setting bathed in red light.

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Stone Leigh) Year: 1984 Medium: Oil on canvas Size: 18 x 18 inches Inscription: Signed, dated by the artist, verso LOWEL...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2022 Style: Impressionism, Subject: Nude Wo...

Born in Cambridge, Massachusetts in 1891, John Gilmore Wolcott graduated from Harvard in 1914 and continued studies in art with Charles Woodbury. He was active in the Boston art scen...

Wonderful American school impressionist family portrait oil painting. Oil on canvas. Image size, 38H by 30L.

Josep Puigdengolas Barella (1906-1987) - Still Life - Oil on canvas Oil measures 89x116 cm. Frameless Josep Puigdengolas Barrella (Barcelona (1906 - 1987), was a Spanish landscape ...

Nicely painted early 1900's oil painting. by Richard Hook. Great color and composition. Nicely framed.

"Motions", (2016) by Nick Runge is a female portrait that measures 36 x 24, unframed and shows a model in various stages of undressing. Born in 1985, artist Nick Runge grew up in ...

Tuya Natsagdorj (Mongolia 1970) - Naked Goddess - oil on canvas Oil measures 63x53 cm. Frame measures 66x56 cm. Natsagdorj Tuya is a female artist who graduated from the kyiv School of Theater Arts in Ukraine and the Kyoto School of Art in Japan. Popular painter in the United States and Japan. In 2006 he participated in the exhibition "Mongolian art...

Exquisite oil on canvas painting by artist Arthur Bowen Davies (American 1862-1928). The work depicts a young nude man walking through a lush green, ethereal landscape. Thick earth-t...

Nicely painted American impressionist oil painting by Richard W. Baldwin (1920 - 2012). Oil on canvas. Framed. Signed.