Cecil Wall Decorations

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Wonderful set of 8 Cecil Aldin prints Lovely colours Published C.1920 Unframed. The measurement given is the paper size of one print Some with minor chips to the edges.

A beautiful collection of 1901 chromolithographic prints from the work of equestrian and sporting artist Cecil Aldin (1870-1935). Includes 3 scenes from the The Fallowfield Hunt Re...

Antique Vanity Fair Print 'A Judge' Rev. Cecil Legard – 1901 Dog Show Judge This is an original Vanity Fair lithograph dated July 11, 1901, fea...

Traditional Market Day Costumes and Cheese Porters of West Friesland, c.1930 This vibrant original lithograph, dating to around 1930, captures a dynamic and colorful scene of market life in West Friesland, a historic region in the Netherlands. The image depicts five figures dressed in traditional regional costumes: two cheese-porters in their iconic white summer suits and red straw hats, an older woman in black mourning dress, and a younger woman and girl in richly colored attire. This visual documentation reflects the customs as they were still worn on market days in the early 20th century, especially in towns such as Hoorn, once famed for its cheese trade. The men's costumes follow guild tradition, with color-coded hats—red in this case—signifying their porter group. Their white linen suits, black shoes, and strong physiques suggest the physical nature of their trade, carrying large wooden barrows stacked high with yellow cheeses. Their neutral clothing contrasts beautifully with the ornate regional dress of the women beside them. The older woman wears the *Hollandsche hul*, or Dutch hood, evolved from the 18th-century *schelpboedje* or shell hat. Her black ensemble is of 1840s bourgeois style, featuring a full-sleeved black cashmere gown with flowered silk *merino* apron. The double-stranded gold *kruisje ketting* necklace and cross pendant signal her Roman Catholic faith. The younger woman represents the exquisite full West Frisian costume worn only on Sundays or ceremonial occasions. Her headdress is layered: a fine linen under-cap, handmade lace inner cap, wide gold *oorijzer*, and elaborate starched black lace crown with goffered wings, requiring a wooden roller to stiffen. Her magenta dress...

Antique print titled 'Tableau de la Partie de Batavia, ou s'est fait proprement le terrible Massacre des Chinois (..)'. Original antique print of the Batavia massacre. The 1740 Batav...

This lithograph titled *Barracks and Market House, Fredericton, New Brunswick* presents a picturesque view of Fredericton as it appeared in the early 19th century. The image highligh...

Antique print titled 'Huum Opp. Condrusorum Caput (..)'. Attractive bird’s eye view of Huy in present day Belgium. The view shows the city from the northeast. Huy, a municipality of ...

Antique print titled 'A Cattle Market, EIn Viehmarkt'. Depicting cows, horses, sheep and many more. Engraved by A. Carse, published by A.H. Payne, circa 1850.

Rare set of three framed limited edition early 20th Century colour hand tinted prints by Cecil Aldin (1870-1935), depicting jump scenes from the Grand National: 'Valentines', 'The Ca...

Description: Antique print titled ‘Fish Market Canton‘. View of a fish market in Guangzhou (Canton), China. This print originates from 'Narrative of the expedition of an American...

A Victorian framed print of "Balance of Sail" by Day and Son, lithographers to the Queen. The bottom of the print is inscribed: LONDON. PUBL...