Charles Harris AKA Beni Kosh Art

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Title: The Billiard Player Artist: Anonymous Technique: Oil on canvas Dimensions: 39.4 x 31.9 in Period: c. 2000 Condition: Good Art Movement: Contemporary Figurativism, Neofiguratio...

Title: Beach of San Salvador, El Vendrell, Spain Artist: Francesc d'Assís Casademont i Pou (signed as CASADEMONT _) Date: November 1976 Medium: Oil on canvas Dimensions: 54 x 65 cm (...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Mothers don't have favorite children, right? Painters don't have favorite paintings, no? Every single painting I offer up to the world touches me and is a piece I would hang in the c...

Signed lower center, 'Leo Kenney' (American, 1925-2001) and dated 1947. A seminal figure in the second generation of Northwest School artists, Leo Kenney was, like many of his conte...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

This large abstract oil painting is by Dutch contemporary artist and art teacher Rubins J. Spaans. A unique oil painting on the finest quality Belgium linen canvas. The painting is a...

Abstract Watercolor N.8 by Dmitry Samygin Minimalist and geometric paintings. Technique: Watercolor Color: Teal blue Size: H. 35.5 x 27.5 x 0.1 cm Dmitry Samygin is a Furniture a...

A 1959 black and white, Mid-Century, Surrealist watercolor on paper by artist Desmond McLean in a cerused black frame. Image size: 12" x 30". Framed size: 19 3/4" x 25 3/4". McL...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...