Charles Hunt Art

Circle or Follower of David Teniers, Peasant in a Tavern Inn, drinking and smoking. Oil on canvas, Framed: 39 x 47 cm. Typical Flemish Baroque Interior...

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

In an intimate atmosphere dominated by warm colors, Nicolas Loir offers us here a first thought, tightly focused and rigorously arranged, of the Adoration of the Shepherds in the Louvre Museum, in which he expresses his admiration for the art of Nicolas Poussin. 1. Nicolas Loir, a 17th-century Parisian artist inspired by Bourdon and Poussin Nicolas Loir was born in Paris in 1623. His father, a goldsmith, first placed him with Simon Vouet and then with Sébastien Bourdon. At the age of 23, in 1647, he left for Rome, where he stayed for two years, drawing inspiration from the classicism of Raphael and, above all, Nicolas Poussin, whom he met and deeply admired. On his return to France in 1649, he received his first major commissions for religious paintings for Parisian churches, the most prestigious of which was the May of Notre Dame for the year 1650. He also received numerous secular commissions for hotels and châteaux in the Paris region. Admitted to the Academy in 1663, he joined Le Brun's team and participated in the decoration of the royal castles of Vincennes, the Tuileries, and Versailles. Appointed professor at the Academy in 1666, then assistant to the rector in 1668, he died in 1679. He married Marguerite Cotelle, daughter of the painter Jean I Cotelle, a specialist in monochrome paintings, and sister of the painter Jean II Cotelle. Dezallier d'Argenville, who owned several of his drawings, tells us that he was a man of gentle and modest temperament, deeply honest, and highly esteemed by his contemporaries, including as a portrait painter. We can see his amiable character features reflected in his portrait by Jean Tiger, which is kept at the Palace of Versailles (4th photo in the gallery). 2. Description of the painting and related artworks Our painting depicts the adoration of the Holy Child, presented in the center of the composition on a pristine white cloth that catches the eye, by the shepherds. While the figure draped in yellow on the left is likely Saint Joseph, the Virgin Mary is depicted from the front, contemplating the Child with her right hand raised, her fingers spread as if to indicate her amazement at the realization of this Mystery. The five figures on the left, all dressed quite simply, are the shepherds who have come to worship the Child, as evidenced by the kid goat lying at his feet. Two cherubs carrying phylacteries fly in the sky and complete the composition. Our Nativity was painted in oil on canvas coated with a brown-red preparation, visible in the two upper corners left unpainted, which is typical of French painting in the mid-17th century and found in the work of Nicolas Poussin. The overall atmosphere of the painting reveals Poussin's decisive influence, whether through the color palette dominated by primary colors (the blue of the Virgin's cloak, the orange-red of the shepherds' cloaks on the right, the bright yellow of St. Joseph's cloak on the left), the rather tubular treatment of the figures, but also through numerous direct references to Poussin's paintings. Examples include the two cherubs, which seem to be inspired by those above the Martyrdom of Saint Erasmus...

ILONA SAPKA studied at the School of Applied Arts, "Schola Posnaniensis" in Poznan. She received her diploma from the Faculty of Painting in the studio of stained glass led by prof. ...

"55" is a large-format oil on canvas by contemporary Lithuanian painter Gabija Pritkovaite. In her paintings, young artist is questioning our state of being in today‘s world, by pain...

Signed and dated '1910' lower right

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Signed and titled lower right Robert Tatin was born in 1902 in Lavan and he passed away in 1983. He is a French artist known for having created a spectacular “art environment” which...

Contemporary print on paper by Polish artist Danuta Dabrowska-Siemaszkiewicz. Artist is inspired by 20th century culture, art deco and pop culture. This artwork depicts portrait of A...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Contemporary figurative oil on canvas painting by Polish artist Agnieszka Staak-Janczarska. The painting depicts the backside of a painting, which is a common subject for Agnieszka's...