Charles Verschuuren Art

This evocative 1939 original painting, titled “Man In His Search for God,” is a rare and powerful work from Charles Bunnell’s acclaimed Black and Blue Series. Executed in ink wash or...

Claus Hoie (1911-2007). Monmouth Hunt Race Meet 2, 1967. Watercolor on paper. Measuring 15 x 19 inches; 24 x 28 inched framed. Signed and titled lower left. Original label on verso. Hoie was born in Stavanger, Norway, November 3, 1911. He lived for a few years in Oslo before emigrating to the United States at the age of thirteen, when he settled in Brooklyn, NY. He spent time at sea (two years), a heritage from his grandfather and father who were both ship’s captains. During World War II, Hoie served four years in the Army as a Sergeant in a special Norwegian-American battalion of the mountain infantry (99th Infantry Battalion), whose mission was to assist in the liberation of Norway. His Battalion also landed on Normandy Beach five days after D-Day. ​ After the war, he studied art at the Ecole des Beaux Arts in Paris. Claus also attended Pratt Institute, and at the Art Students League in New York. Hoie worked as an independent artist creating primarily watercolor works and graphics However, also was a commercial artist. In the 1950s he met the young artist and fashion designer, Helen Hunt Bencker and in 1957 they wed. Helen Hoie...

San Marco, Venise Acrylic on Canvas 60 x 49 cm Signed lower right and on the reverse In San Marco, Venise, Grégoire Mathias translates the timeless elegance of Venice’s architecture into his distinctive language of Diachronic Cubism — a style that captures not only multiple spatial perspectives but also the passage of time within a single composition. The familiar arches and reflections of the Venetian lagoon dissolve into an intricate interplay of geometric planes and shifting tones of turquoise, ivory, and sand. The result is a composition that feels both architectural and fluid — an echo of light dancing on water, where memory and presence coexist. Mathias’s mastery lies in how he balances structure and emotion, transforming an iconic cityscape into a meditation on rhythm, space, and movement. Perfect For: Collectors of modern Cubism • Venice and Italy enthusiasts • Contemporary interiors with neutral or coastal tones • Living rooms or entryways seeking architectural depth and movement Collector’s Insight: This painting belongs to Mathias’s Venetian Series, where he explores the interplay between history and modernity through cubist fragmentation. Its soothing palette and elegant balance make it a perfect statement for collectors drawn to contemporary reinterpretations of classic European subjects. Keywords: Venetian painting, Piazza San Marco, cubist architecture, modern cubism, French contemporary art, Greg Mathias, Diachronic Cubism, contemporary Cubism, modern architecture art...

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Les Toits de Venise (The Rooftops of Venice) 55 x 46 cm Oil and acrylic on canvas Les Toits de Venise presents an abstracted cubist cityscape, depicting the rooftops of Venice thro...

Antique American impressionist oil painting by Frederick Stuart Church (1842 - 1924). Gouache and watercolor on board. Framed. Measuring: 17 by 23 inches overall, and 10 by 16 painti...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso by Erte. Stamped "Composition originale". Frame size 29 x 24.5 inches. Artwork s...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso. Stamped "Composition originale". Frame size 30.5 x 26.5 inches. Artwork is in e...

Cowboy Hunting Pronghorn Deer ("American Antelope") in Watercolor and Gouache Detailed western scene by H. Rich (American, 20th Century). A cowboy is on a ridge, with two horses, ha...

3875 Japanese gouache landscape painting on silk set in a brass metal frame See matching painting #3874

Skellig Michael Acrylic on Canvas 61 x 50.5 cm Skellig Michael presents a modern cubist interpretation of Skellig Michael, one of Ireland’s most remote and historically significan...

Late Mid Century French watercolour and Gouache on handmade paper of a pair of dancers by Damien Hermellin. Signed and dated bottom right. Pres...