Christian Logstrup Art

-Pedro Friedeberg signed print featuring a fantastical architectural scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and ...

Additional sizes and pricing available upon request. Artist commentary: There is an incredible world that exists at the tide line. This piece recalls the mix of broken shells, sea weeds and tiny organisms that wash up...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

-Pedro Friedeberg signed print featuring a collection of various dogs. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and gold ...

-Pedro Friedeberg signed print featuring a fantastical surrealistic scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and g...

PEDRO FRIEDEBERG, GRAPHIC, SURREALIST WORK, IMPORTANT MEXICAN ART, EXQUISITE FRAME . . . Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculp...

-Pedro Friedeberg signed print featuring a fantastical surrealistic scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and g...

This is for the one print listed here. Internalized Page Project Vol II. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & pu...

JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...

This is for the one print listed here. Internalized Page Project Vol II. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & pu...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from the folio Parallelement (Parallel), Paul Verlaine, illustre de lithographies originales de Le...

This lithograph Les baigneuses ( The bathers) by Andre Marchand is part of my private collection since the 1970's. It is in very good condition, artist pencil signed in the lower lef...