Christine D. Rouvière Furniture

Console NORI - Christine D. Rouvière The Nori Console asserts itself as a sculptural console whose presence precedes function. Four hand-cast bronze feet, shaped after enlarged veget...

The Tresor wall lights explore a vertical composition structured around weight, suspension, and clarity. In both Tresor 2 and Tresor 3, a faceted rock crystal element descends from a...

The GEMME 3 wall light is conceived as a compact interplay between mass and diffusion, where a block of selenite is framed within a restrained metal structure. The stone, cut into a ...

Low Table PYGMEE The PYGMEE low tables are conceived as sculptural low tables whose presence is defined by mass, proportion, and subtle variation. Each piece rests on a hand-cast br...

GEMME 2 introduces a wall light articulated around the notion of capture and exposure. A vertical block of selenite forms the luminous core, its softly veined surface secured by two ...

The Tresor wall lights explore a vertical composition structured around weight, suspension, and clarity. In both Tresor 2 and Tresor 3, a faceted rock crystal element descends from a...

Coffee Table/ Low Table NORI 4 The Nori Table asserts itself as a sculptural coffee table whose presence precedes function. Four hand-cast bronze feet, shaped after enlarged vegetal...

Coffee Table/ Low Table NORI 3 The Nori Table asserts itself as a sculptural low table whose presence precedes function. Four hand-cast bronze feet, shaped after enlarged vegetal fo...

The Rocher table lamp is conceived as a sculptural table lamp where vertical rhythm and material contrast define its presence. Stacked spheres of selenite form a luminous column, the...

The INO wall light takes its form from the quiet asymmetry of fungi and forest growth. Cast in bronze, its sculptural body recalls the layered silhouette of a mushroom or natural out...

The LOC wall light appears as a narrow vertical gesture suspended against the wall, somewhere between sculptural line and illuminated trace. Designed by Christine D. Rouvière, the pi...

The JEWEL wall light is defined by a quiet interplay between surface and incision. A monolithic bronze plate, richly textured and irregular, is pierced by a vertical recess that reve...

The GEMME 4 wall light develops as a vertical composition where mineral translucency meets structured metal presence. A tall block of selenite is held between bronze elements and a d...

The PETAL wall light unfolds as a vertical mineral form partially embraced by a constellation of bronze elements. A faceted selenite core rises through the composition, its transluce...

The LAM wall light is conceived as a vertical wall light defined by clarity of line and material contrast. A tall slab of selenite rises from a structured bronze mount, its softly tr...

The ECUME wall light presents itself as a sculptural wall light shaped by movement and chance. Formed in hand-cast bronze, its surface evokes the fleeting texture of sea foam, frozen...

The BLOC wall light is composed as a vertical axis of mineral clarity held in tension by a dense bronze element. A faceted selenite volume, cut with geometric precision, is encircled...

The Rondelle table lamp is conceived as a sculptural table lamp built on balance and repetition. Cylindrical volumes of selenite are stacked in a measured vertical sequence, their so...

The ARUM wall light is conceived as a sculptural wall light whose form draws directly from the vegetal world. Two elongated bronze elements unfold along the wall like overlapping lea...

The ECORCE Mirror is conceived as a sculptural wall mirror whose presence is defined by texture and depth rather than reflection alone. Its circular frame is composed of hand-cast br...

The Pierre de Lune wall light is built around the quiet dialogue between mineral translucency and dark metal structure. A tall prism of selenite rises from a hand-cast bronze base an...