Decorative Objects

Solid bronze figure of a woman reclining on a sofa, “Paolina Bonaparte as Venus Victrix” – a famous motif by A. Canova, from Paris, probably around 1950. Engraved on the plinth “A. C...

A fine antique bronze sculputre. Depicting the Venus de Milo. After the ancient model by Alexandros of Antioch. Bearing an Achille Collas reduction seal and a Barbedienne mark. P...

Small bronze sculpture of a greyhound with a green patina. The dog is depicted in a calm, attentive pose, with finely rendered, anatomical detail. Signed Fratin on the base. A charac...

"Venus" sculpture by Erté made with cold-painted bronze depicting a female in elegant couture with bright colors and impeccable details. Signed and d...

Huge Antique French Bronze Roman Soldier Sculpture by Picault

Italian white marble sculpture of the crouching Venus after the ancient Greek Hellenist period work, finely carved by the Italian master, Pietro Bazzanti. Signed P Bazzanti Florence.

An exceptional life-size two patina bronze figure, representing a young African woman taming a snake, dressed with a feathered loincloth and a long drape in her hair, and wearing Afr...

Grand tour bronze sculpture of the "Crouching Venus" after the antique. Fine patina. 19th century. Ferdinand Barbedienne (French, 1821-1902). # nude fe...

Italian School, The Bathing Venus, Patinated Bronze Sculpture, late 19th century, cast by Fonderi Nelli Roma, the standing figure removing her elaborate robe on a circular base, stam...

18th Century, Italian Bronze Sculpture with Venus Removing Her Sandal This bronze sculpture represents Venus as she takes off her sandal. Made in the neoclassical era in Italy, it consists of the bronze sculpture of the Greek goddess Aphrodite, Venus for the Romans. The naked goddess, getting ready for the bath, makes the very human gesture of loosing a sandal. The left arm is raised, as if to compensate the position while maintaining the balance. Next to her, wrapped around a rocky spur, is a dolphin, an animal iconographically linked to the goddess because of his birth from the foam of the sea. The figure rests on a cylindrical and concave bronze base, with finely chiselled reserves. The bronze element is in turn resting on a africano marble cylinder with black of Belgium marble base. Venus is one of the major Roman goddesses primarily associated with eros and beauty. It is traditionally understood as the equivalent of the Greek goddess Aphrodite, goddess of beauty, physical and passionate love, among the major deities of Olympus. His birth is due to a dramatic event: Uranus, Heaven, is mutilated by his son Cronus, who punishes him for the wrongs inflicted on his mother. The torn limbs of Uranus fall into the sea and fertilize the foam of the waves of the island of Cyprus. From the waves emerges in all its splendor Aphrodite. Since the 4th century, Aphrodite begins to be represented with characters more human and less heroic. Praxiteles with the 'Aphrodite Cnidia,' for the first time in the history of sculpture, depicts her naked, as she prepares to take a ritual bath. From the Pressitele’s model descend the Capitoline Venus (Capitoline Museums of Rome) and the Venus de’ Medici (Uffizi Museum of Florence) accompanied by Eros on the back of a dolphin. This vein also includes a subject frequently attested in the Hellenistic and then Roman Ages, with examples in bronze, marble and terracotta: the Aphrodite who fastens the sandal. The luck that this type of representation had in the following centuries is demonstrated by the vast number of sculptures that represent it. In this bronze work the goddess resumes the position of Oplontis’s Naked Venus: here Venus holds an apple in her left hand, a reminder of her victory in the beauty contest in which she prevailed over Minerva and Juno by judgment of Paris. In our bronze instead, the hand seems to want to shake the apple, which however has not been molded. Perhaps the bronze is inspired by another work, such as the bronzes kept in the archaeological museum of Padua. Another example is the famous 'Venus in bikini" found in Pompeii, so-called because it depicts the goddess in the same pose, but with the breasts and hips covered by bands painted in gold. The dolphin depicted next to it could be inspired instead to the Medici Venus...

Le Grande Venus Victrix by Pierre-Auguste Renoir 1841-1919 In collaboration with Richard Guino Designed 1914-1916 Date of casting 1992 This is a bro...

Michel GUYOT (1948-, France) : "Sheeted Venus" , original dark brown patinated bronze sculpture circa 1980 cast by Susse Foundry Original proof in made of patinated bronze / Epreuve...