Christopher Fratin Clocks

Small bronze sculpture of a greyhound with a green patina. The dog is depicted in a calm, attentive pose, with finely rendered, anatomical detail. Signed Fratin on the base. A charac...

Stylish French clock set in the Retour d'Egypt style based on French Empire clocks from the early 19th century. The clock set upon a good rectangular Sienna marble base on which are ...

Table clock in patinated and gilded bronze from the 18th century with religious scene Size 44 x 25 x 14 cm 1450 euro very good condition.

Charles X Gilt and Patinated Bronze Mantel Clock, circa 1830, with a circular enamel dial, the movement strike on bell, surmounted by a two handle tazza, acanthus scrolled mounts, an...

After Christophe Fratin (French 1801-1864), a majestic 12 point stag in brown patinated cast bronze, modeled with head turned to towards hind, inscribed "FRATIN", and mounted to a re...

Clock in gilt and patinated bronze, period Napoleon III, 19th century. Good working condition Contact us before ordering to confirm product ...

Griotte marble and gilt and patinated bronze clock garniture by Graux French, c. 1870 Clock: Height 80cm, width 40cm, depth 33cm Candelabra: Height 82cm, width 40cm, depth 40cmvarious This fine three-piece set includes a mantel clock and a pair of candelabra. The pieces are crafted from bronze—both gilt and patinated—and rich griotte marble. The clock features a griotte marble truncated column shaped base, which is adorned with gilt bronze mounts, such as a low relief plaque and beading. The front of the case is inset with a dial within a gilt bronze bezel and beneath glass. Strikingly, the clock case is surmounted by a large and impressive patinated bronze sculptural group after an original by Clodion, which depicts two nymphs carousing with musical instruments and bunches of grapes. The candelabra are similarly decorated, each with a conforming marble base. The stem of each candelabrum is modelled as two patinated bronze figures holding aloft the candelabrum head, which issues seven gilt bronze branches: six scrolling branches and one central one. The clock dial is signed 'Jules Graux...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

Napoleon III Gilt and Patinated Bronze and White Marble Clock, circa 1870, of rounded rectangular form, the circular white enamel dial signed "Gros A Lyon", the movement strike on be...

This three-piece mantel clock set contains a clock and two candelabra. The set was produced circa 1860, during the Napoleon III period, and demonstrates the eclecticism typical to de...

Very sensitive rendering of a greyhound at rest with a rich dark brown patina with lighter highlights showing through. The dog is shown reclining with one paw turned up, a detail I find endearing as a dog owner, my border collie does this too! Mounted on a polished black slate base, marked Fratin on the base. Also stamped with the foundry mark 'Daubree, Editeur'. A fine desk top, shelf, or mantel piece for the dog lover, Christopher Fratin (1 January 1801 – 16 August 1864), also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. He exhibited at the Paris Salon from 1831 to 1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City’s Central Park. Today, Fratin’s sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...

Comprising a central clock and a pair of flanking candelabra, the central circular dial surrounded by a laurel wreath and bow ormolu mount, with plaques depicting biblical scenes in relief on either side, surmounted by a large patinated bronze group, the pair of ten light candelabra similarly decorated with patinated bronze male...