After Christophe Fratin (Signed), Grooming 12 Point Stag in Patinated Bronze

Late 20th c., pair of Italian Louis XVI style gold plated, patinated bronze and gilt bronze column table lamps by Gherardo Degli Albizzi. Of beautiful quality, two light, fluted, col...

Leslie Thornton (British, 1925-2016), "History of Printing", no signature observed, mounted on wood plinth. An arresting and fascinating piece, this tall floor sculpture...

20th c., Pacific Northwest, a large stacked stone Inuit Peoples Inuksuk in the form of a human, on a polished stone base. The underside of the stacked stones are polished while the t...

20th c., a high quality pair of demilune columnar form stone bookends, unmarked. Skillfully carved beige limestone with a large number of spiral shell gastropods, nautiloids, and other fossils polished to show off the beauty of the fossils. There are natural streaks of dark and light limestone, orange iron oxide, and crystalline calcite in the shells. The stone contains a large amount of calcite (or aragonite) with the remainder made of impurities such as dolomite, quartz or silicates, clay, iron oxides, and rock particles of many kinds. These are of lovely quality and are fascinating to look at. As they are cut from the same piece, the fossils match up when both bookends are placed together and the corresponding portion of fossils can be seen on the opposite interior vertical plane. Dimensions: 7"h x 5.75"w x 2.75"d (each half) Condition: Good, a few scratches and nicks on base, attractive appearance. Provenance: A Private Collection: The Sherry Netherland...

Early 20th century Mangbetu chief's pot, from DR Congo, a distinctive and beautiful anthropomorphic sculpture. This style of terracotta pot m...

After Montague Dawson (British, 1895-1973), colour lithograph, matted and framed under non-glare glass. "The Thermopylae Leaving Foochow", published 1962 Frost & Reed Limited of Bris...

Christophe Fratin (1801-1864) "walking monkey" bronze, signed, signature of the founder Qyesnel XIXth edition.

Don Quixote and Sancho Panza in bronze pair by Christophe Fratin (1801-1864) late 19th characters of the famous novel by Cervantes each riding their proud mount Rossinante and Rucio....

Fratin bear cup is signed Daubrée editor, 19th century, silver plate bronze. The cup is mounted on foot and is composed at the base of elephant heads and...

A very fine Animalier bronze study of a feeding gazelle with her fawn reclining at her feet. The bronze with rich brown patina and excellent detail raised on a naturalistic base, signed Fratin and engraved with title to the fore ‘Gazelle’ Additional information Height: 10 cm Width: 17 cm Condition: Excellent Original Condition Circa: 1860 Materials: Bronze Book reference: Bronzes of the 19th Century by Pierre Kjellberg SKU: 4934 ABOUT Christopher Fratin (1 January 1801 – 16 August 1864), also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. Work He exhibited at the Paris Salon from 1831–1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (pictured) showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality they are. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City's Central Park. Many of his small bronzes—including his miniature bronzes which were more affordable due to their smaller size—were sold commercially to the general public during his lifetime. Today, Fratin's sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...

Exquisite mid 19th century French bronze study of an anthropomorphic bear sitting on a barrel playing a violin, the barrel can be opened halfway to form a container. The surface with excellent mid to dark brown patina and very fine hand chased surface detail, signed Fratin and titled Le Père Odry Additional Information Height: 17.8 cm Width: 8.6 cm Depth: 7.2 cm Condition: Excellent Original Condition Circa: 1845 Materials: Bronze Book reference: Bronzes of the 19th Century by Pierre Kjellberg About Le Père Odry Le Père Odry is a character in one of Balzac's novels, Unconscious Comedians which is one of the lesser known novels in the series La Comédie Humaine. The novel tells the story of a famous painter who takes his provincial cousin on a trip of Paris to open his eyes to what really goes on in the city behind the respectable façade. Le Père Odry appears in the novel as a dissolute actor. Christopher Fratin, French 1801 ~ 1864 also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. He exhibited at the Paris Salon from 1831–1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (pictured) showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality this foible is actually an indicator of authenticity. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City's Central Park. Many of his small bronzes—including his miniature bronzes which were more affordable due to their smaller size—were sold commercially to the general public during his lifetime. Today, Fratin's sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...

This Fratin bear cup is 19th century, not signed but similar to others, silver plate bronze. The cup is mounted on foot and is composed at the base of el...