Cindy Press Art

David Cheifetz's "Goddess of Mercy" is an original, handmade oil painting that depicts a nude woman floating above several burning boats at sea. About the Artist: David is an inter...

This painting is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living b...

"Guardian Angel" late 19th c. Original hand-painted KPM Porcelain In Jewel Encrusted Frame approx. 6 3/8 x 5 inches

Brazil, 2010 Oil on canvas (Signed, front right middle) 14.96 H x 18.11 W in. 38 H x 46 W cm. The contemporary society is seen as an "extra-wrapped" society by the artist Mihai Flor...

China, 2010 Oil on canvas (Signed, front right middle) 14.96 H x 18.11 W in. 38 H x 46 W cm. The contemporary society is seen as an "extra-wrapped" society by the artist Mihai Flore...

Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...

Mid Century Nude Study, Reclining Figure on Blue in Oil on Board Mid Century nude study of a female figure in a reclining pose with a rich blue background by listed artist Jon Blanc...

18th Century French Maestro Title: Bacchanal Medium: Oil on canvas Dimensions: without frame 24 x 30 cm - with frame 33.5 x 39 cm Antique shaped wooden frame lacquered in mustard col...

Pegah Samaie's (CA based) "Where is Home?" is an original, handmade oil painting that depicts a reclining nude woman, wrapped in a white fabric, gently to...

ROBERT KENNETH WHITE – "RED DOOR" ⚜ Oil on canvas ⚜ Signed lower right ⚜ Frameless Display ARCHITECTURAL REALISM BY ROBERT KENNETH WHITE In "Red Door," Robert Kenneth White masterfully captures the interplay of sunlight, shadow, and classical architecture, transforming a simple doorway into an evocative study of structure and light. The crimson entry partially concealed in shadow invites viewers to imagine the hidden stories behind its historic façade. Known for his painterly precision and atmospheric realism, White elevates everyday scenes with exceptional technical skill and a keen eye for mood. The composition’s detailed architectural carvings and dramatic lighting showcase his ability to blend photorealism with timeless elegance. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, celebrated for architectural, figurative, and landscape works ✓ Captures rich texture, historic detail, and compelling light effects ✓ Ideal for collectors of realism, architectural studies, or European-inspired compositions ✓ Ready for framing or display ARTWORK DETAILS: ▸ Title: "Red Door" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2018 ▸ Signature: Hand signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Artwork Size: 30.125 x 22 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is an acclaimed American realist known for his atmospheric landscapes, coastal vistas, and architectural studies that merge technical mastery with painterly warmth. Working primarily in oil, White draws inspiration from classical architecture, European cityscapes, and the quiet beauty of everyday structures. His compositions often explore the interaction of light and form, reminiscent of artists like Edward Hopper, John Register...

A voluptuous woman lies prone on a divan, bearing her backside and turning her head flirtatiously to the viewer, though averting her eyes slightly, as if to maintain a coy demeanor. Surrounded by lush fabrics of deep blues, the creamy tones of her skin and dressing gown are thrown in sharp contrast, making the figure glow luminously. The whole painting is ordered by folds - of flesh, of fabric, of cushions, of the rug - inviting the viewer's eye to look closely across the topography of the canvas. One of Boucher's cabinet paintings (that is, paintings made for private collectors rather than official exhibition at the Salon), the open eroticism of this work invites a voyeuristic gaze. Although it was created for a private audience, it was later displayed at the Salon of 1767, where the critic Denis Diderot found it shocking and lascivious. Nonetheless, Boucher would later paint another iteration of this reclining pose, this time using Marie-Louise O'Murphy, a favorite mistress of King Louis XV, as his model, suggesting that the provocative composition was a stock figure for Boucher's private commissions. "The Brunette Odalisque" (French: L'Odalisque or l'Odalisque brune) is a painting of c. 1745 by François Boucher, now in the Louvre in Paris. He later produced two other works in the odalisque genre, both known as "The Blonde Odalisque". The present painting is another version of Bouchers painting which differs in minor details. The quality of the paint is very fine and the whole technique and style allows a dating to c. 1750. As Boucher's Painting was very famous there were several copies and versions which were made by his studio. The present painting can be attributed to the close circle of Boucher. The Painting is framed in a golden frame which was built in the Rococo style in c. 1990. Both the title of Boucher's painting and the objects found in the interior fix the subject as an odalisque, a concubine within the harem of the Ottoman sultan. The sumptuous textiles and exotic, decorative objects suggest early traces of Orientalism, although the figure appears European. Odalisque paintings...

A fine portrait of a 5 year old Christina Patterson by American artist Aaron Abraham Shikler (1922-2015). Shikler was born in Brooklyn, New York, studied at the Tyler School of Art at Temple University, then studied in New York with the abstract painter Hans Hofmann, but he remained a committed realist throughout his life, under the sway of artists like Degas, Vuillard, Sickert and Sargent. To make a living, he painted clowns and ballerinas for a wholesale company, signing the work “Phil I. Steen” to register his disgust. When Leroy Davis, an Army friend, opened the Davis Gallery in Manhattan in 1953, he began showing Mr. Shikler’s work, which included figure studies, still lifes and landscapes. A turning point came in 1959 when Jane Engelhard...