"Land Fall" by John Gibson (Balls, Geometric, Blue, Colorful, Screen print)
By John Gibson (b. 1958)
Located in New York, NY
This print has a deep blue background and brightly colored red and orange billiards balls. John Gibson has been painting delicate still-life arrangements of balls since the 1990s. T...
Screen
Price Upon Request
Bailey
By John Gibson (b. 1958)
Located in Lincoln, MA
John Gibson is a native of Massachusetts, born in Boston in 1958. He attended the Rhode Island School of design (where he earned a BFA in 1980), before earning his post-graduate degree from the prestigious master’s program at Yale. Gibson had his first one-man show at the University of Massachusetts in 1984, and he began showing in group exhibitions in the Boston and New York areas in the late 1980s. In the early 1990s Gibson’s paintings began to focus on pyramidal compositions of spheres resembling children’s playground balls, decorated in the manner of colorful soccer balls. Executed in oil on wooden panel, these pieces began to attract generous critical praise for Gibson from the pages of the Boston Globe, the Partisan Review, and the New Yorker, among others. Gibson’s paintings are filled with subtle yet provocative disjunctions, which challenge the viewer’s initial perceptions of the pieces. While these images would seem at first to be fairly simple atmospheric, realistic renderings of colorful balls, a closer examination will reveal that the surfaces of Gibson’s paintings are deeply scored by the artist in geometric patterns that sometimes conform to, and in other instances defy, the outlines of the spheres rendered in paint. An invisible substructure is suggested in these incisions, which also serve to reinforce the physicality of the painting. Some pieces also include incised and/or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed. The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls...
Oil
Price Upon Request
Bushwick
By John Gibson (b. 1958)
Located in Lincoln, MA
John Gibson is a native of Massachusetts, born in Boston in 1958. He attended the Rhode Island School of design (where he earned a BFA in 1980), before earning his post-graduate degree from the prestigious master’s program at Yale. Gibson had his first one-man show at the University of Massachusetts in 1984, and he began showing in group exhibitions in the Boston and New York areas in the late 1980s. In the early 1990s Gibson’s paintings began to focus on pyramidal compositions of spheres resembling children’s playground balls, decorated in the manner of colorful soccer balls. Executed in oil on wooden panel, these pieces began to attract generous critical praise for Gibson from the pages of the Boston Globe, the Partisan Review, and the New Yorker, among others. Gibson’s paintings are filled with subtle yet provocative disjunctions, which challenge the viewer’s initial perceptions of the pieces. While these images would seem at first to be fairly simple atmospheric, realistic renderings of colorful balls, a closer examination will reveal that the surfaces of Gibson’s paintings are deeply scored by the artist in geometric patterns that sometimes conform to, and in other instances defy, the outlines of the spheres rendered in paint. An invisible substructure is suggested in these incisions, which also serve to reinforce the physicality of the painting. Some pieces also include incised and/or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed. The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls...
Oil
Price Upon Request
Untitled
By John Gibson (b. 1958)
Located in Lincoln, MA
oil on collaged panel
Oil
Price Upon Request
Untitled
By John Gibson (b. 1958)
Located in Lincoln, MA
oil on collaged panel
Price Upon Request
Florence no.7
By John Gibson (b. 1958)
Located in Lincoln, MA
watercolor on paper
Watercolor
Price Upon Request
Florence no.8
By John Gibson (b. 1958)
Located in Lincoln, MA
watercolor on paper
Watercolor
Abstract Watercolor N.8 by Dmitry Samygin
By Dmitry Samygin
Located in Paris, FR
Abstract Watercolor N.8 by Dmitry Samygin Minimalist and geometric paintings. Technique: Watercolor Color: Teal blue Size: H. 35.5 x 27.5 x 0.1 cm Dmitry Samygin is a Furniture a...
Watercolor
$709
H 10.63 in W 7.68 in D 0.04 in
Figurative Ink Painting N.1 'Vessels' by Dmitry Samygin
By Dmitry Samygin
Located in Paris, FR
Figurative Ink on Cotton paper Painting N.1 'Vessels' by Dmitry Samygin H.27 x 19.5 cm About Dmitry Samygin Furniture and Product Designer. His approach relies on simple forms and clarity in ideas with carefully chosen materials to expose the essence of an object. His products exemplify humanistic design, comfort in everyday use and ergonomic function. He is a prize-winner in international competitions. He has taken part in exhibitions in Paris, Milan and Moscow, collaborates with European and Russian production, architectural and design companies. Since 2021 Dmitriy's design has been presented in a permanent exhibition at the Museum of Arts and Crafts in Moscow. Dmitry's graphics and designs are in private collections all over the world. Samygin's Awards 2023 I+D / Design Now / winner (product design & decor) 2021 Red dot / Modul 2021 I+D magazine award / Shelter (covers for the sculptures of Moscow State Architectural Museum) 2020 Best 2020 AD Russia 2019 Andrew World...
Cotton, Paper, Ink
$800
H 26 in W 26 in
Alfa Romeo, Photorealist Classic Car Screenprint by Phyllis Krim
By Phyllis Krim
Located in Long Island City, NY
Alfa Romeo Phyllis Krim, American (1930–2014) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Image Size: 22 x 22 inches Size: 26 in. x 26 in. (66.0...
Screen
$27,000
H 60 in W 60 in D 2 in
"Orange Colors" by Rehfeld - Large Abstract Geometric in Orange and Yellow
By Steven H. Rehfeld
Located in Carmel, CA
Steven H. Rehfeld (American, born 1954) "Orange Colors" 2018 Oil paint, Paper, Glue, Canvas, Stretcher bars The artist signed the back of the painting. In "Orange Colors," Rehfeld o...
Canvas, Oil, Paper, Glue, Stretcher Bars
$3,783
H 28.75 in W 36.23 in D 1.97 in
Incoherence of compulsory ways #1 - Hélène Duclos, Contemporary figurative paint
By Hélène Duclos
Located in Paris, FR
Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...
Canvas, Oil
$3,192
H 18.12 in W 21.66 in D 1.97 in
Change of paradigm #1 - Hélène Duclos, Contemporary figurative painting
By Hélène Duclos
Located in Paris, FR
Oil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is i...
Canvas, Oil
Mercedes-Benz 300 SL Gullwing Lithograph, Mid-20th Century Art
Located in Chesterfield, MI
Mercedes-Benz 300 SL Gullwing by Harold Cleword, Poster Art 28 x 22 Stunning for an office, bedroom, rec room or garage!
Lithograph
$500
H 5.5 in W 10 in D 1 in
Ameboide XIX Diptych. From The Transcromático Series
By Juan Carlos Amador 1
Located in Miami Beach, FL
Transcromático by Juan Carlos Amador showcases abstract canvases that use thick, layered paint to evoke the fluidity and light of water sports, rather than literal representation. By...
Canvas, Oil, Spray Paint
Bentley, Photorealist Classic Car Screenprint by Phyllis Krim
By Phyllis Krim
Located in Long Island City, NY
Bentley Phyllis Krim, American (1930–2014) Date: 1978 Screenprint, signed and numbered in pencil Edition of 200, AP 20 Image Size: 22 x 22 inches Size: 26 in. x 26 in. (66.04 cm x 66...
Screen
$1,000
H 12 in W 20 in D 1 in
Transcromatico XIII and XIV Diptych. From The Transcromático Series
By Juan Carlos Amador 1
Located in Miami Beach, FL
Transcromático by Juan Carlos Amador showcases abstract canvases that use thick, layered paint to evoke the fluidity and light of water sports, rather than literal representation. By...
Canvas, Oil, Acrylic
$5,000
H 15 in W 14 in
Untitled, Family in an Interior, Mexican 20th Century, Oil and sand on board
By Jesus Mariano Leuus
Located in New York, NY
Leuus’s interest in art began at a young age, and he later moved to Guadalajara, where he attended the Escuela de Artes Plásticas. This formal training in the traditions of Mexican a...
Mixed Media, Oil, Board
$12,000Sale Price|40% Off
H 78.44 in W 65.52 in
Carlos Quintana Large Abstract vs. Figurative Painting
By Carlos Quintana
Located in Brooklyn, NY
Carlos Quintana is a contemporary Cuban artist known for his expressive paintings which meld collective memory, fantasy, and personal symbolism. Often featuring bald figures, Quintana’s work shifts between grotesqueness and beauty while exploring the formal properties of paint. Born in Havana, Cuba in 1966, he went on to study painting at both the Academy of San Alejandro and the Institute of Design in his hometown. Exhibiting in Cuba since the early 1990s, the artist has gone on to show in Mexico, Spain, and the United States. He currently lives and works in Madrid, Spain. Quintana’s works are held in the collections of the Rubin Museum of Art in New York, and the National Museum of Fine Art in Havana. Large Oil on canvas Black and White figurative painting...
Canvas, Oil Pastel, Oil
Felix
By John Gibson (b. 1958)
Located in Lincoln, MA
John Gibson is a native of Massachusetts, born in Boston in 1958. He attended the Rhode Island School of design (where he earned a BFA in 1980), before earning his post-graduate degree from the prestigious master’s program at Yale. Gibson had his first one-man show at the University of Massachusetts in 1984, and he began showing in group exhibitions in the Boston and New York areas in the late 1980s. In the early 1990s Gibson’s paintings began to focus on pyramidal compositions of spheres resembling children’s playground balls, decorated in the manner of colorful soccer balls. Executed in oil on wooden panel, these pieces began to attract generous critical praise for Gibson from the pages of the Boston Globe, the Partisan Review, and the New Yorker, among others. Gibson’s paintings are filled with subtle yet provocative disjunctions, which challenge the viewer’s initial perceptions of the pieces. While these images would seem at first to be fairly simple atmospheric, realistic renderings of colorful balls, a closer examination will reveal that the surfaces of Gibson’s paintings are deeply scored by the artist in geometric patterns that sometimes conform to, and in other instances defy, the outlines of the spheres rendered in paint. An invisible substructure is suggested in these incisions, which also serve to reinforce the physicality of the painting. Some pieces also include incised and/or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed. The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls...
Oil
Land Fall
By John Gibson (b. 1958)
Located in New York, NY
This print has a deep blue background and brightly colored red and orange billiards balls. John Gibson has been painting delicate still-life arrangements of balls since the 1990s. T...
Screen
Land Fall, Screenprint by John Gibson
By John Gibson (b. 1958)
Located in Long Island City, NY
Artist: John Gibson, American (1958 - ) Title: Land Fall Year: 2005 Medium: Screenprint, signed and numbered in pencil Edition: 43/108 Image Size: 30 x 28 inches Sheet Size: 37 x 3...
Screen