Claire FalkensteinUntitled, 1979
Price Upon Request
Untitled
By Claire Falkenstein
Located in Santa Monica, CA
Gouache on board
Late 20th Century Abstract Claire Falkenstein Art
Gouache, Board
Price Upon Request
Untitled
By Claire Falkenstein
Located in Santa Monica, CA
Gouache on board
Gouache, Board
$20,000
H 19 in W 15 in
Italian Abstract Work on Paper Color Field Non-Objective European Mid-Century
By Piero Dorazio
Located in New York, NY
Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...
Gouache, Board
Untitled
By Erez Yardeni
Located in London, GB
'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...
Ink, Oil, Gouache, Board, Pencil
Conflict, 1941 gouache by John Von Wicht
By John von Wicht
Located in Hudson, NY
Conflict (1941) Gouache on paper 20" x 12" 27 ½" x 19 ¼" x 1 ½" framed Signed "V. Wicht" lower right. An important work from the artist's "Force" series, which were executed in hom...
Paper, Gouache
Untitled, 1980, gouache on paper
Located in PARIS, FR
Andrée HONOREE (1945-1992) Untitled, 1980 Gouache on paper Signed and dated "1980" lower center 43 x 31.5 cm Born in 1945 in Tourcoing, Andrée Honoré is one of the women sculptors who have chosen wood as their main medium. For a time, she had a studio in the Passage Ricaut in the 13th arrondissement of Paris, where she worked alongside the artists Jacques Hérold (1901-1987), Edgard Pillet...
Gouache
Untitled II
By Erez Yardeni
Located in London, GB
'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...
Ink, Oil, Gouache, Board, Pencil
Dinosaur Me & Baby
By Erez Yardeni
Located in London, GB
'Dinosaur Me & Baby' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). The scribblings of a c...
Ink, Oil, Gouache, Board, Pencil
$998
H 20.08 in W 34.65 in D 0.12 in
Original 70's Hand Painted Textile Design Gouache botanical Style on White Paper
Located in ALCOY/ALCOI, ES
Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature This original work features an Abstract Expressionist design, hand-pain...
Paper, Gouache
$998
H 20.08 in W 34.65 in D 0.12 in
Original 70's Hand Painted Textile Design Gouache botanical style on White Paper
Located in ALCOY/ALCOI, ES
Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature This original work features an Abstract Expressionist design, hand-pain...
Paper, Gouache
$998
H 20.08 in W 34.65 in D 0.12 in
Original 70's Hand Painted Textile Design Gouache a botanical Style White Paper
Located in ALCOY/ALCOI, ES
Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...
Paper, Gouache
$998
H 20.08 in W 34.65 in D 0.12 in
Original 70's Hand Painted Textile Design Gouache abstract morden White Paper
Located in ALCOY/ALCOI, ES
Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...
Paper, Gouache
$822
H 22.05 in W 30.71 in
Schizophrenia. Contemporary Gouache Painting, Abstraction, Cat, Polish artist
By Jacek Sowicki
Located in Warsaw, PL
JACEK SOWICKI (1948-2022) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at th...
Paper, Gouache
Untitled (Linear Composition in Black Purple and Orange)
By Joan Snyder
Located in Brooklyn, NY
Joan Snyder's early 1970s period is known as the best of her career, now an iconic period of time for feminist abstract painting of the era. This fully finished work on paper reads l...
Acrylic, Gouache, Archival Paper, Graphite
Sold
H 9.25 in W 6.25 in D 6.5 in
Claire Falkenstein Abstract Assemblage Sculpture Welded Iron Cobalt Glass
By Claire Falkenstein
Located in Surfside, FL
Rust patina to the iron. not attached to the base. not sure if it is original to piece or was just shown that way. the piece is not signed but i do have an email from her dealer "Given the imagery and information provided, we believe the work to have been executed by the hand of Claire Falkenstein. It features the "never ending screen" pattern she worked and reworked in many of her sculptures. She began utilizing that particular construct in the sixties. You can see the pattern, in a flat plane context, when she designed the gates for Peggy Guggenheim's Venice compound in the early 60's. Also, she began using glass with steel or copper in the mid sixties and by the early seventies was producing "fusions", glass melted onto welded metal. This work seems an early predecessor of the fusions. In our experience with her inventory, most of her small sculptural works are free-standing, not mounted to a base. From the imagery provided, I would think that the base is made of wood and is "younger" than the object itself, yes? Did the previous owner design a base for the object?" Claire Falkenstein was an American sculptor, painter, printmaker, jewelry designer, and teacher, most renowned for her often large-scale abstract metal and glass public sculptures. Falkenstein was one of America's most experimental and productive twentieth-century artists. Falkenstein relentlessly explored media, techniques, and processes with uncommon daring and intellectual rigor. Though she was respected among the burgeoning post-World-War-II art scene in Europe and the United States, her disregard for the commodification of art coupled with her peripatetic movement from one art metropolis to another made her an elusive figure. Falkenstein first worked in the San Francisco Bay Area, then in Paris and New York, and finally in Los Angeles. She was involved with art groups as radical as the Gutai Group in Japan and art autre in Paris and secured a lasting position in the vanguard, which she held until her death in 1997. Falkenstein’s current reputation rests on her sculpture, and her work in three dimensions was often radical and ahead of her time. As a child, Falkenstein would ride her horse in the dark on the beach to see the sun come up and spend time looking at the shells, rocks, seaweed, and driftwood, and these nature forms inspired her sculpture. Falkenstein attended the University of California at Berkeley, and graduated in 1930 with a major in art and minors in anthropology and philosophy. She had her first one-woman exhibition, at a San Francisco gallery, even before graduation. Her art education continued in the early 1930s at Mills College, where she took a master class with Alexander Archipenko, and met László Moholy-Nagy and György Kepes. She taught art classes at various Bay Area locations, such as UC Berkeley Extension, Mills College, and the California Labor School. She also taught at the innovative California School of Fine Arts, alongside abstract expressionists such as Clyfford Still, who would become a close friend and artistic influence, and Richard Diebenkorn. In 1934, she created an abstract fresco at Oakland's Piedmont High School. This was part of the Federal Art Project, WPA, which strongly preferred paintings depicting American scenes, but some abstracts such as this work by Falkenstein were tolerated. During the 1930s she created sculptures from clay...
Iron