Claudio Bravo Art

Mary Reilly works with both powdered graphite and graphite pencil on paper. The artist memorializes tree carvings or “graffiti” found within the woods of Alley Pond Park, Queens. The...

JAPANESE AZALEAS is an original hand drawn lithograph printed using hand lithography techniques on archival Arches paper 100% acid free. JAPANESE AZALEAS portrays a botanical waterco...

A colorful self-portrait from Ben Fenske, staring at the viewer straight-on. Hues of red dominate. Unframed. Ben Fenske (b. 1978) although a native of Minnesota, and has been worki...

An early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...

A portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression. Artist Bio Ben Fenske (b. 1978) although a native of Minn...

Stately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932). Signed and dated "Ivan Opffer 1934" in the lower right. Titled "Mr. Arliss" in the lower left. Presented in a new off-white mat with foamcore backing. Mat size: 22"H x 16"W Art size: 17.5"H x 12"W Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane. Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York. When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others. It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5. After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann. In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village. Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...

19th Century French Academy drawing of a classical maiden, signed Xavier Rendeley bottom right, numbered and dated 2nd April 1883. Presented in ...

LION PORTRAIT by the British wildlife artist Sydney Taylor, is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography techniques on archival Somerset paper 100% acid free. LION PORTRAIT is a contemporary wildlife portrait depicting three male lion heads, their majestic manes prominently displayed. Printed in a warm neutral palette of light muted gray green, golden brown yellows, dark red brown, touch of pink, and accents of black and white. Print size - 21.5" x 29.5", unframed, excellent condition, hand signed in pencil by Sydney Taylor Year published - 1983 Edition size - 200, plus proofs Printer - JK Fine Art Editions Co., NY About AFRICAN LIONS - Lions are the only cats that live in groups, which are called prides. These are family units that may include up to three males, a dozen or so females, and their young. All of a pride’s lionesses are related, and female cubs typically stay with the group as they age. Young males eventually leave and establish their own prides by taking over a group headed by another male. Only male lions boast manes, the impressive fringe of long hair that encircles their heads. Males defend the pride's territory, which may include some 100 square miles (259 square kilometers) of grasslands, scrub, or open woodlands. These intimidating animals mark the area with urine, roar menacingly to warn intruders, and chase off animals that encroach on their turf. Female lions are the pride's primary hunters. They often work together to prey upon antelopes, zebras, wildbeest, and other large animals of the open grasslands. Many of these animals are faster than lions, so teamwork pays off. After the hunt, the group effort often degenerates to squabbling over the sharing of the kill, with cubs at the bottom of the pecking order. Young lions do not help to hunt until they are about a year old. Lions will hunt alone if the opportunity presents itself, and they also steal kills from hyenas or wild dogs. Lions have been celebrated throughout history for their courage and strength. They once roamed most of Africa and parts of Asia and Europe. Today they are found only in parts of sub-Saharan Africa, except for one very small population of Asian Lions...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Delicate drawing of a woman by Palo Alto artist Marilyn Thompson (American, 1927-2015). Signed and dated in the lower right corner. Acquired with a collection of her work. Presented in a new cream mat with foam-core backing. Paper size: 24.5"H x 19.75"W. A Northern California Artists and Musician. Marilyn Thompson (American, 1927-2015) was born in Santa Paula. California. She received an art degree from San Jose State in 1950, after which she worked for H. M. Gousha, for whom she drew many illustrations of missions and other California sites. From the mid-1970s on, she did freelance drawing and painting, with lots of commercial work (pamphlet illustrations, posters, custom birthday cards...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: LE PEINTRE Year of Original Artwork: 1963 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29 x 21.5 in. Year printed - 1979-1982 LE PEINTRE is a limited edition lithograph re-created after an original pastel drawing from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on lower margin. Typeset under image reads Collection Marina Picasso...

SPACE VOYAGE is an original hand drawn lithograph by the Latin American Woman artist Raquel Forner, paper size - 13 1/4" x 15 1/4", image size - 8 1/2" x 11 3/4" printed in warm red...