Cynthia Norton Eckstrom Art

This vibrant piece of artwork " Wine-tasting holiday in Provence" is a compelling example of contemporary expressionism. The painting immediately arrests attention with its vivid col...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Depictions of dead birds have a long and rich history in Western Art having been used as a subject matter by artists from Albrecht Durer to Pablo Picasso. The Golden Age of Dutch Painting brought an iconic rise to still-life painting. Much like decadent, ripe fruit and extravagant, sumptuous floral arrangements, these taxadermied birds were transformed into stunning examinations of color, light and texture. Here, artist Tina Figarelli...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Untitled" 2025 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. Rizaldy Celi Jr.'s ...

"Singing To The Choir" is an original piece by Megan Rea made from oil on hand crafted paper. This pieces measures 11"h x 8.5"w, is signed en verso and comes with a signed Certificat...

Red (Abstracted Red Flowers in Dark Green Vase) by David Konigsberg 2021, oil on panel, 19 x 23 inches Konigsberg is a conceptual realist who works across media and painting genres ...

"Summer Delight" is a captivating floral artwork that beautifully encapsulates the essence of summer through a simple bouquet of vibrant flowers in a vase. This piece blends modern I...

Fresh Cut (Abstracted Pink/Purple Flowers in Vase against Window) by David Konigsberg 2023, oil on panel, 19 x 23 inches Konigsberg is a conceptual realist who works across media an...

"Frosted Tips" is an original piece by Megan Rea made from oil on hand crafted paper. This pieces measures 11"h x 8.5"w, is signed en verso and comes with a signed Certificate of Aut...

"Happy Daffodils" Daffodils are the harbinger of spring. They peek through the soil in gardens and are tied in bunches in buckets at Trader Joe's. Winter has turned a corner. It is t...

Oil on paper (Monotype) abstracted still-life by Anita Benarde (American, 20th century). Circa 2006. Signed "Anita Bernarde" lower right, titled "Moving Still Life" lower left. Presented in mat and wood frame. Image size: 29"H x 20.75"W. Benarde studied art at St Martins, London, Michigan State, Brooklyn College. SOLO EXHIBIT / PROFESSIONAL EXPERIENCE 2000 Princeton University, Princeton, N.J. 1998--- Curator, Princeton University 2000 Sovreign Bank, Princeton, N.J. 1990--- Cruise Line Lecturer 2000 U.S.Trust, Princeton, N.J. 1990/2007 – Cruise Art Workshops 1999 Forsgate Country Club, N.J. 2002- The Newark Museum, workshops 1996 Scanticon, Princeton, N.J. 1990 Rutgers University, Lecturer 1993 Johnson &Johnson 1987 Fordham University, Art Lecturer, N.Y. World Headquarters 1985 The Dalton School, Workshops New Brunswick, N.J. 1981 Parsons Sch.Of Design, N.Y.C. 1989 AT&T Corporate Center 1982 Hahnemann Medical U.,Phila. Pa. Princeton,N.J. 1977 N.J. Magazine, Art Director 1986 Turkish Consulate Gallery 1977-84 Original Puzzles/Games Magazine United Nations Plaza,N.Y. Marvel Publications, N.Y.C. 1988 Tatum Gallery...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...