Daisy Cook Mixed Media

Krista Reuter's contemporary paper sculpture artworks unfold like a quiet study in light, shadow, texture, and dimensional abstraction. Hand-cut and layered with meticulous precision...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 18 x 20 inches. Artwork size 12 x 13.75 inches...

Original crayon and pencil drawing on paper. Hand signed and dated on front by Peter Max. Remarqued and hand signed on frame verso by Peter Max. Paper size: 6 x 7.8 inches. Frame...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size 18.25 x 22.25 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition. ...

Rafael Duran Benet (1931-2015) - Dream scene - Mixed technique Drawing measurements 64x43 cm. Frame measurements 79x59 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Collage is an original work by Sergio Barletta. A wonderful collage on ivory-colored paper with the great touch of the Italian Pop artist. Signed and dated in pen on the lower righ...

Red Grooms Redgrooms, 2004 Hardback monograph with 3-D sculptural pop-up (signed and numbered in red marker on the artist's designed book plate) Signed and numbered 101/400 in red marker on the artist's designed book plate 13 × 10 × 1 1/2 inches Makes a superb gift! Lavishly illustrated with a pop-up/multiple taken out of the book with its signed & numbered label is often removed, exhibited under plexiglass, and sold separately for several thousand dollars. This fully pre-assembled pop-up with integral base at rear is a re-working of Grooms' iconic New York Taxi of 1986 - which in turn was based on his earlier giant Ruckus NY taxi sculpture...

Marino Marini (Italian, 1901-1980), "Untitled (Cavaliere)", Mixed Media on Paper, 1955, chalk pastel and wash, signed "Marino" lower right and dated lower left, carved giltwood frame...

Pastel, gouache and coffee on paper. Artwork size: 58 x 56 cm. Frame size: 78 x 76 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/37) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Artwork size: 16 x 12 inches. Frame size...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 21 x 19.25 inches. Artwork size 13.75 x 12 inch...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 19.5 x 21 inches. Artwork size 12 x 13.50 inche...