Dan Witz Art

This Blue Dog work consists of 1 blue dog on a dark blue background with painted white eyeglasses donning a white tie with painted blue eyeglasses. Th...

Created after Roy Lichtenstein's iconic Moonscape Banner (1966), this folded screenprint on wove cardstock was published by Multiples, Inc. (New York) in 1969, and would later be use...

BERT STERN – "MARILYN MONROE (NAVY/LIGHT BLUE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed A HIGHLY COLLECTIBLE WORK FROM THE MARILYN MONROE SERIES This original 1973 photo ...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Kunsthalle Bern (Hopeless)" Year: 1968 Medium: Original Screenprint, Exhibition Poster on light wove paper Limited edit...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Modern Print" *Numbered, signed, and dated by Lichtenstein in pencil lower right Year: 1971 Medium: Original Lithograph and Scr...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Chem 1A" *Signed and dated by Lichtenstein in pencil lower right Year: 1970 Medium: Original Screenprint on Special Arjomari pa...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Donald Sultan (b. 1951) is a prolific American painter, sculptor, and printmaker best known for his unconventional use and application of industrial materials such as tar, aluminum, ...

Artist: Andy Warhol (American, 1928-1987) Title: "Watermelon" Portfolio: Space Fruit: Still Lifes *Signed and numbered by Warhol in felt pen lower left Year: 1979 Medium: Original Sc...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

BERT STERN – "MARILYN MONROE (GOLD/CHAMPAGNE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed AN ICONIC IMAGE FROM "THE LAST SITTING" SERIES This original photo silkscreen by Be...

“Vegetable Made With Beef Stock” is an AP screenprint by American Pop artist, Andy Warhol. The work is AP Q/Z and is signed verso, "Andy Warhol Q" Andy Warhol's Campbell's Soup I: Vegetable Soup (1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist's proofs. The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two Campbell's Soup Cans paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects. Vegetable Soup was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards...