Daniel Fusaro Art

Red chalk on cream laid paper, 7 1/4 x 9 3/8 inches (182 x 236 mm), the full sheet. In very good condition with minor toning and two small nicks in the top sheet edge. Some modern no...

Red chalk on cream laid paper, 6 3/8 x 7 inches (160 x 176 mm), the full sheet. In very good condition with minor toning and some modern notations in pencil on the verso, as well as ...

A stylish, vintage early 1940s fashion study featuring elegant designs for women's accessories and Elizabeth Arden cosmetics. Artwork size: 11 3/4 x 8 3/4 inches. Archivally ma...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

Expressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual ...

Watercolor on paper realized by Sirio Pellegrini in 1970s. Hand signed. Includes a wooden frame realized by the Artist cm. 60x45 Sirio Pellegrini, born in Rome on March 1, 1922, o...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

This layered paper and drawing collage titled "House Studies Series I" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a ...

Jeff Koons Original Flower Drawing (signed twice), 2016 Original, hand signed drawing inscribed to Nadine, done with silver sharpie, and held in hardback monograph with dust jacket, ...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Anne Ramsdell Congdon Chrysanthemums, 1900 Signed and dated lower right Watercolor on paper 26 x 19 inch Provenance Matthew O'Connell, Gloucester, Massachusetts Anne Ramsdell Congdon studied art at a young age in Worcester. Originally a watercolorist, she attended the Académie de Lécluse in Paris in 1891, and later with Rhoda Holmes Nichols (1854–1938), an assistant to William Merritt Chase (1849-1916), at a summer extension to Chase’s Shinnecock School of Art in Oguinquit, Maine. She also studied with Boston and Oguinquit marine painter and etcher Charles H. Woodbury (1864–1940), who taught his students to “paint in verbs, not nouns,” thus advocating the quick stroke of a brush. She was active in Nashua as a watercolorist until she married a New Hampshire surgeon and Nantucket native, Dr. Charles E. Congdon, in 1902. She reportedly suspended her art career to maintain an antiques shop in Nashua, her birthplace, while raising two sons. By the mid-1920s, she was attending the summer classes in oil painting with Frank Swift Chase (1886-1958) on Nantucket, and she rapidly became a plein air painter in the bold style of her new mentor. The Boston Herald observed, “Her work is direct, facile, and without mannerisms.” She painted a series of waterfront paintings...

EWA PELLO (born in 1964) She studied at the Faculty of Graphic Arts at the Academy of Fine Arts in Cracow. She received her diploma in 1989. She specializes in painting and pastel. I...