Daniel Libeskind Seating

Chaise Longue Cherlon by Camilo Andres Rodriguez Marquez (aka CarmWorks) Rattan / Burnt wood or natural Each piece is made to order and hand crafted by the artist. Dimension...

The curved Silhouette of this superbly elegant chaise longue provides a chic and comfortable seat that will highlight the decor of any bedroom or...

21st century Ddesigned by Saccal Design House Hygge armchair fabric and travertino is inspired by contemporary architecture in Portugal that speaks of i...

Graceful and inviting, the recamier chaise with arched back and rolled arm. The fainting couch is upholstered but it does show some ware. Although made in the Victorian period, it ...

Vintage BoConcept chaise lounge with relax function. In natural black leather, chrome steel base/legs. Label: BoConcept. Very good vintage condition.

A comfortable French Art Deco armchair from the 1930s. The pale beechwood legs contrast with the soft black Edelman leather upholstery. Add the silver ...

A matching pair of armchairs designed by Milo Baughman circa 1970's. The chairs feature a thin frame construction with white naugahyde upholstery. Very clean all original condition.

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...

Elegant set of Jansen wrought iron chairs with X-shaped backrests, legs ending in brass sabots, upholstered in white bouclé.

Drawing inspiration from the traditional dormeuse, this contemporary chaise longue is handcrafted using exclusively certified natural products, free of chemical residues. This stunni...

a contemporary chaise longue that evokes a sense of fluid movement. inspired by the organic profiles of dance movement, its curated form captures the language of mid century designs....

Rare pair of PK-11 armchairs designed by Poul Kjærholm. Produced by E. Kold Christensen in Denmark.