Daniel Suárez Art

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Belgium black marble sculpture, iron base. 50 cm × 24 cm × 18 cm // 19.7 in x 9.4 in x 7.1 in. The indicated dimensions include the iron base of the sculpture. The sculpture is main...

Central structure is a contemporary metallic sculpture, realized in 1998 by the Italian artist Claudio Palmieri. Original Title: Struttura Centrale In excellent conditions, this o...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

"Time Unfolding" Abstract Sculpture 85" x 31.5" inch by Karim Abd Elmalak Karim Abdel Malak's layered multi-media works are influenced by the old masters. Abdel Malak textured oils...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the manner in which ash in the kiln will collect in different arrays across the convex and concave surfaces of his gestural clay forms. “I approach making with a childlike spirit of experimentation and exploration. My work stems from a love of the wood fired ceramic surface, particularly how it evokes many beautiful natural phenomena. Like imagining the way wind gathers and deposits leaves on a landscape according to changes in topography, I anticipate the manner in which ash will collect differently on the convex and concave surfaces of my gestural forms. These functional pots are developed as a place for this surface to exist and to be enjoyed as a part of our daily life.”—Haas Contemporary Design, Ceramic Jar, Wood Fire Porcelain...

"Zāt Highchair I" Abstract Sculptural Chair 41" x 19" inch by Karim Abd Elmalak Medium: iron & oil-based spray paint Karim Abdel Malak's layered multi-media...

Statuario Carrara marble sculpture, iron base. 14 × 30 × 18 cm The indicated dimensions include the iron base of the sculpture. The sculpture is maintained on the base with a rod but...

Elements is a unique acrystal, oak wood and iron sculpture by contemporary artist Pavlína Kvita, dimensions including the plinth are 140 × 90 × 80 cm (55.1 × 35.4 × 31.5 in). The sc...

The Sails is a contemporary artwork realized by the artist Tatiana Pomus in 1974. Wood and iron sculpture. Signature of the artist engraved on the base. 

Bella Feldman (American, b. 1930), Untitled, metal 2-wheeled cart with metal cables, (Provenance: Allan Stone Gallery, New York, NY) gallery label affixed affixed verso, overall: 37"h x 48"l x 37"w. Provenance: Private Collection Bella Feldman is an American sculptor whose work addresses the themes of sexuality, war, and the persistent anxiety of the industrial age. Feldman is known for pioneering the use of glass with steel. Her work has affinities with Surrealism, Post-Minimalism, and the Feminist art movement, although she has no formal affiliation with these. A Professor Emeritus at the California College of the Arts, Feldman lives and works in Oakland, CA and London, England. Bella Feldman was born in 1930 in New York City to a family of working-class Jewish immigrants from Poland. She grew up in the Bronx tenements. Feldman attended The High School of Music & Art in Manhattan during World War II. Students were required to visit museums and galleries as part of the curriculum. When Feldman was thirteen, she visited her first art museum, the Museum of Modern Art. There, she saw Meret Oppenheim’s Object (1936), the fur-lined cup and saucer, and was struck by her strong psychological response to this work. Other early influences included Alberto Giacometti’s The Palace at 4 a.m. (1932) and the sculpture of David Smith. One of Feldman’s earliest sculptures Warrior (1952) pays tribute to Giacometti. During the Holocaust, Feldman lost numerous family members who remained in Poland, an experience that helped shape her worldview. This includes her life-long preoccupation with war, and the overwhelming effects of the military-industrial complex. Feldman received a BA from Queens College, City University of New York. She married Leonard Feldman at age 18, and moved to California with him in 1951 where they both accepted teaching positions. Feldman has two children, Nina Feldman, born 1954 and Ethan Feldman, born 1956. In 1965, Feldman started teaching at the California College of the Arts. In 1971 she and her family moved to Uganda, East Africa on a grant from the E. L. Cabot Trust Fund at Harvard University. Feldman spent two years teaching art in Uganda prior to the genocidal war in that country. Upon her return to CCA, she faced gender discrimination and a threat to her job. Her successful fight to retain her position prompted her to later become an advocate for other women faculty, who she helped to achieve equity and job security. Feldman was awarded an MA in 1973 from San Jose State University. Her teachers were Sam Richardson...