Daniele Albright Tables

A Régia walnut veneer occasional table designed by Sérgio Batista for Uultis with graphite metallic base and white Carrara marbled glass top. *Please check availability prior to purchase*. The Regia occasional...

Pair of Karl Springer, Silas Seandel style biomorphic organic shaped coffee or cocktail tables rendered in brushed aged brass by Mr. Brown London, England, 2018 individual table siz...

A ceramic coffee table with abstract glaze decoration by Jean-Pierre Viot. Unique piece. Signed. The top is in ceramic and the bases are in ceramic and wood. 2024. H : 31 x 60x 128 c...

These low table is a very special Matthias Biberon work, in Japanese Cedar and Oak. All joints are visible is the artist's signature in the pure Japanese influence of Mingei thought and Wabi Sabi. This is the beauty of the everyday object, one whose details we never tire of rediscovering. Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...

Coffee table Heaven with polished solid brass. Available in two sizes: L 123 x D 102 x H 30cm, price: 31500,00€. L 138 x D 95 x H 36cm, price: 34900,00€. Also available in side tabl...

A pair of Régia walnut veneer occasional tables designed by Sérgio Batista for Uultis, featuring sleek graphite metallic bases and white Carrara marbled glass tops. * Please check av...

Sculpture or coffee table by Jacques Jarrige finished in hand lacquer. Jacques Jarrige is a sculptor living and working in Paris. His Toro coffee table with its curvaceous undulatin...

Designed by Karl Springer, a rare and wonderful mushroom cocktail table in lacquered goatskin. The sexy shape and size are perfectly suited for a space requiring a smaller table... t...

Designed for presidential offices, this desk's large scale conveys a sense of importance. The soft lines of its rope-colored leather desktop contrast the sharp edges of its dark canaletto-walnut legs, making it extremely modern, sophisticated and visually striking. Central drawer. Front modesty panel...

The original design from the Mexique table dates back to 1938, part of the “free form” movement proposals. The final design was developed in 1952 for the students’ rooms of the Maiso...

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...

Coffee table model Mushroom designed by Studio Superego for Superego Editions. Low table in colored plexiglas. Biography: Superego editions was born in 2006, performing a constant a...