Wooda Tables

Travertine top walnut base side or end table on wheels.

Desk Scribe with legs structure in solid walnut wood and top with three-drawers made in walnut plywood with squared lines. The three-drawers are with sledge legs in solid walnut w...

An Original Walnut Coffee Table by George Nakashima. About George Nakashima: George Katsutoshi Nakashima was an American woodworker, architect, an...

Carabottino is a contemporary and crafted cabinet, a wooden grating that is presented in a two-dimensional form traditionally made of wooden strips, it is considered to be an accesso...

late 1940s desk by Gio Ponti in walnut wood and formica top. this desk was made for a house in milan, designed by gio ponti and emilio lancia.

Paolo Buffa for Galdino Maspero, writing desk, walnut, Italy, late 1930s/early 1940s This writing desk, designed by Paolo Buffa and meticulously crafted by Galdino Maspero in the la...

Elevate your dining space with this minimalist modern oval table, expertly handcrafted in Portugal using premium walnut wood. With a sleek 220 × 110 cm oval top and seamless finishe...

Rúna White Oiled Solid Oak Desk by Warm Nordic Dimensions: D130 x W65 x H74 cm Material: White oiled solid oak Weight: 37 kg Also available in different finishes. Please contact ...

This low coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the low size. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still on going. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

Clean Lined Pair of Walnut Side Tables or Nightstands, attributed to Jens Risom, unsigned, American, circa 1960s. They have been cleaned and Danish oiled.

Amazing mid-century gold brass and glass console table. This marvellous piece was designed in Italy during the 1970s. This fantastic piece is in golden brass, chromed metal and sm...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...