David James Art

LARGE OIL PAINTING MARITIME SHIP MASTER PIECE 20th CENTURY FINE MARTINE PAINTING ORIGINAL 20th Century OIL PAINTING GOLD GILT FRAME Good condition for age , (see pictures) Descri...

Large black and white historical picture depicting the ship Virgen de Africa Cadiz, dated 1917. Original frame, 112 x 79 - inches 44 x 31. Good condition.

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Au...

Audrey Hepburn on the set of 'Paris When It Sizzles' Vintage gelatin silver print by Vincent Rossell Photographer's credit stamp, Audrey Hepburn ...

Impasto style brushwork creates a vibrant beach day with colourful umbrellas. Strong impressionist influence can be seen through the gestural brushstrokes, with figures dotting the s...

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood DeForest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the DeForests made frequent trips abroad. Excursions to the great museums, which were prominent on the DeForests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old DeForest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. DeForest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, DeForest took a studio at the Tenth Street Studio Building in New York. During these formative years DeForest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade DeForest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Audrey Hepburn collection stamp and numerical notations verso From the Personal Collection of Audrey Hepburn...

Lynn Gertenbach's "Ride at Golden Hills" is a remarkable oil painting that captures a serene moment of a lady riding a horse under a tree, surrounded by lush grass and vibrant scener...

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.

Amaizing 19' century Roman landscape depicting a part of Villa Borghese with Trinità dei Monti. With a finely carved gilt wood coeval frame. Measurements with frame cm 65 x78 wit...

Decorative river landscape in romantic style, Signed lower left 'I Roy', unknown artist, Oil on canvas Dimensions excl. frame: 49 x 65 Dimensions incl. frame: 64 x 80 x 7 cm. In go...

The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style. Signed black-and-white pigment print on Canson Platine paper, 16 x 20 in.; hardcover volume in a slipcase, 9.8 x 13.4 in., 6.29 lb., 388 pages. Whether it’s diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches, or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “ice” has become a proclamation of identity and self-expression. Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B...