David Levy Furniture

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

B.B., the double decker sold brass platforms sit on individual heavy-duty ball bearings encased deep inside the central brass trunk support. The platform...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

A sculptural mango wood console table crafted from solid mango wood. The table top sits atop two solid, legs. A wonderfully minimalist object. The ...

January 11, 1967: Top British pop group the Rolling Stones taking a stroll through London's Green Park, from left to right, Mick Jagger, Bill Wyman, Charlie Watts, Brian Jones (1942 ...

________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precis...

A substantial, predominantly white, marble Lazy-Susan with star-like design, circa 21st century. Marble is white with grey and light-burgundy red veining/hues. A great piece for a ki...

antique refectory table in solid oak wood, finished with solid sculpted leg and underlying bar for foot support, ideal both in the dining area and in a ...

A "bow tie" tray designed by Jens Quistgaard for Dansks Rare Woods collection, c.1960s, Denmark features sculpted Palisander wood. The top of the tray...

Beautiful teak serving tray by Dansk, made in Denmark.

Vassoio coffee table in solid wood with circular insets and wide cylindrical legs. Available in solid walnut, white oak, red oak, maple, ash or black stained ash. Finished with...

Round coffee table with cross legs made of solid oak. Product made to order; some variances may apply to the final piece. —— NONO is a Mexican design brand with more than 10 years ...