David Low Art

Keith Haring Stedelijk Museum 1986: Rare original, silkscreened Keith Haring Stedelijk Museum exhibition poster, 1986. Designed & illustr...

Wonderful Vintage Archibald Thorburn colored chromolithograph. The colors are amazing, giving the painting a really great appearance . Printed circa 1919, the picture is inscribed ...

A dynamic mid 20th century copy of a lithograph that depicts Englishmen on horseback giving chase with a pack of beagle-type dogs running in the background. by John Frederick Herring...

Le Lion Qui Marche Antoine-Louis Barye (French, 1796-1875) Circa 1880 Etching on laid paper after the original bronze by master etcher Abel Lurat (F...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...

Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...

Original Poster promoting Rolex' Submariner, reference 1680, created by Celestino Piatti, a very productive Swiss Graphic Designer (1922-2007) known for his charm and subtle humor, p...

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.26] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...

Tracey Emin YES!, 2012 Home made color inkjet print 11 3/4 × 16 1/2 inches Edition 111/150 Pencil signed, numbered 111 and dated 2012 recto; bears Emin International stamp on the ver...