David Roberts

The Madonna Della Sedia commonly known as the Madonna of the chair is a painting by an Italian artist Raphael dating back to 1513 -1514. It is currently hou...

A striking French lithograph originally conceived by the 18th century painter Fragonard, reimagined in the 19th century by engraver Mathieu Barathier. Titled “Le Recit” which transla...

A wonderful, unique, relatively large, very engaging original indigenous Australian Aboriginal dreaming painting by Northern Territory Yolngu artist David Malangi (1927-1999. He is ...

refined Japanese brush painting of samurais and archers in the landscape, a section originally from a handscroll. ink and color on silk. Cons...

The five pen-and-ink drawings by Lauzon represent various aspects of a summer concert of the Boston Symphony Orchestra at Tanglewood, Lenox, MA: the co...

Exceptional Folk Art reverse painting on glass with foil/tinsel back (églomisé) - original hand made wood frame with carved and painted details - unsigned - United States - circa 185...

Wonderful image of Petra, Jordan Fine steel engraving after David Roberts Published circa 1850 The measurement given is the paper size Unframed.

This print is from 'The Military Costume of Turkey. Illustrated by A Series of Engravings. From Drawings made on the Spot. Dedicated by Permission to His Excellency the Minister of the Ottoman Porte to his Britannic Majesty.' London, Published by Thomas M'Lean, Haymarket, (1818). Folio. One of 29 fine handcoloured aquatint plates . Very light offsetting from plate. The original accompanying text of this print is as follows: 'The Mamelukes who till very lately formed the military force of Egypt, were said not to exceed twelve thousand men, and were slaves imported from Circassia and Mingrelia. They were carefully instructed in every exercise of strength and agility, and usually repayed the kindness of their masters, the Beys, with the warmest gratitude and most valiant services. The Mamelukes being trained from their infancy to military exercises, displayed in them uncommon skill. The javelin aimed with precision, was never known but to strike the mark. "The well-tempered blade of Damascus," says Sonnini, "is by them wielded with astonishing dexterity, and in their hands proves a most dreadful weapon." He often observed them try these weapons in the following manner :—A large cushion stuffed with feathers or materials equally soft and flexible, was placed about the height of a man, in such a manner, that the slightest touch would cause it to fall, which they would divide with a single stroke of the sabre, whilst passing it on horseback at full speed. Such astonishing expertness joined to most excellent horsemanship, would, were they acquainted with European tactics, render them invincible; but formidable, as they individually appeared, their prowess became of little effect when opposed to the collective weight of a charge in squadron. Their horses possessed, in an eminent degree, the qualities most useful to man, inexhaustible strength, prodigious speed and inconceivable temperance, to which may be added the most perfect symmetry of form. The dress constantly worn by the inferior Mamelukes, was a pair of large crimson drawers of thick Venetian cloth attached to slippers of red leather, and a greenish cap of a peculiar form, fancifully decorated with a turban. Their usual arms were a pair of pistols...

Barnabite - 1862 Hand-Colored Lithograph of a Barnabite Monk This 1862 hand-colored lithograph showcases a Barnabite monk, a member of the Clerics Regular of St. Paul, also know...

Cincinnati Costume Print – Antique Hand-Colored Lithograph, 1854 This antique hand-colored lithograph, published in 1854 in Album des Voyages Anciens et Modernes by Martial Ardant F...

Carmélite - 1862 Hand-Colored Lithograph of a Carmelite Nun This 1862 hand-colored lithograph portrays a Carmélite, or Carmelite nun, embodying simplicity and devotion. The nun is dressed in the traditional brown habit with a white mantle and wimple, reflecting the Carmelite Order's values of poverty, humility, and prayer. Her calm and contemplative expression symbolizes a life dedicated to spiritual reflection and service. The Carmelite Order, originating in the 12th century on Mount Carmel in the Holy Land, emphasizes a contemplative lifestyle centered on prayer, silence, and community. Reformed by Saint Teresa of Ávila in the 16th century, the Discalced Carmelites maintain strict adherence to these principles. Today, Carmelite nuns continue their spiritual mission worldwide, focusing on prayer and devotion in cloistered convents. This lithograph, part of the *Album ou Collection Complète et Historique des Costumes de la Cour de Rome*, was created by the renowned artist G. Perugini. It captures the serene and ascetic life of a Carmelite nun, making it a compelling piece for collectors interested in religious art...

Robert David Gauley’s framed landscape painting beautifully captures a serene countryside with a flowing stream and vibrant greenery. The oil on canvas showcases Gauley’s skillful br...