David Zinn Art

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Ella Fort Flower Field (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches COA provided *Framing Options Availab...

Susan Kiefer Rex Woodcut on paper Year: 2000 Size: 27x22in COA provided Ref.: 924802-1663 Framed woodcut print. A nude male figure in an armchair with striped and patterned backgrou...

The boat symbolizes the passage of our coming into birth, journeying through life, and eventually guiding us to our last crossing. "...leading us back to the swaying, gliding somnole...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Andrew Scott, Catch, 2024 Print on Etching cotton Rag with Hand Burnt Frame 45 x 33 cm (17 7/10 × 13 in) Edition of 232 of250 Framed in open-grain black wood Signed and numbered lab...

Shepard Fairey Clem Burke Sonic DNA (Blondie Drummer, Music Icon, Rock Legend) Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2025 Size: 16 x 12 inches (40.64 x 30.48 cm) Edition: 500 Signed, dated and numbered by hand Publishing chop in lower left corner COA provided Original illustration based on photographs by Bobby Grossman...

In his monotype, Opus 11, 2008, Keiji Shinohara uses his medium to disrupt the formulation of the landscape genre. A cross-section of sky, or perhaps water, inserts itself into the rich red pigment of the earth. The pale yellow and blue...

Materials : Print on water color stock Date : 2016 Dimensions : 19"x13" Signed and numbered by the artist Edition: 30 COA provided

Materials : Print on water color stock Date : 2016 Dimensions : 19"x13" Signed and numbered by the artist Edition: 20 COA provided

Framed dimensions: 22.5 x 29.75 inches We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the Grenning Gallery fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...

Frame dimensions 26 x 29 inches We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...