Jan Dingle

Rough Glade, Print by Jan Dingle

2010

Red Doors, Painting by Phil Greenwood Additional information: Medium: Etching Edition Size : 150 Image Size: 670mm x 590mm Size: H:67 cm x W:59 cm Phil Greenwood is a landscape ...

River Light is a contemporary landscape print by Phil Greenwood. The meticulous attention to detail that Greenwood has used is highlighted by the reflection of the sun in the river w...

Thames Bridges – Looking East is a limited edition cityscape etching of London by John Duffin. The monochromatic colour scheme of the piece allows you to see every tiny detail. Addi...

Spires is a contemporary landscape print by Phil Greenwood. The strong outline of the spires is softened by blue haze. A green river bank splits the work into three planes and allows...

This limited edition etching is a view of London looking down from Parliament Hill at dusk on an early autumn evening. I have loved this view ever since i moved to London as a studen...

Autumn Heath is a contemporary landscape print by Phil Greenwood. The vibrant, warm leaves of the trees are broken up by the bold tree trunk and the background. Additional Informati...

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Memory and Present, 1983. Color etching, copy 41/50, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm (frame), titled, numbered, monogrammed and dated with pencil. Framed behind glass. - in very good condition - The flowing space of memory - About the artwork On an implied horizon line, a dog-like animal has risen on its hind legs and is about to jump over some kind of hurdle. To the left, a small flag is waving in the wind. The animal and the flag point forward, toward the reader, into the future. The flagpole, however, bends backwards in the opposite direction, corresponding to the impulse of movement of the sign-like formations in the "sky". The title of this work by Mordstein is also revealing. It reads "Memory and Presence" and thematizes the system of signs above the animal as memory. It is therefore not so much a sky as the space of remembering consciousness. Memory moves into the past, but comes from the future and begins where the animal first moves. Here, Mordstein develops a subtle pictorial philosophy about the character of time and the structure of memory, in which the system of signs representing the content of consciousness is inspired by the pictorial language of Paul Klee, whom Mordstein continues to think about in his own way. About the artist After graduating from the Werkkunstschule in Augsburg, Karl Mordstein worked as a commercial artist in Munich before becoming a freelance artist and concentrating entirely on his own creations. In 1970 Mordstein married the sculptor Sinen Thalheimer and the artist couple moved to Starnberg. In 1972, Mordstein had his first solo exhibition in Munich, which marked the beginning of an active international exhibition career that lasted for decades. From 1987 the couple lived on the Hollerberg in Wilzhofen. "It is certainly not wrong to recognize in the impression of his calmly floating color drawings the expression of a state of mind that owes itself precisely to this conscious turning away from the hectic art market: concentrated serenity. It is not a changing state of mind, but an empathy with the supra-individual rhythms of creation, the perpetual genesis in the natural cycle of becoming and passing, which is expressed in them." - Stefan Tolksdorf Selected Bibliography Karl Mordstein. Aquarelle, Gouachen 1972 – 1975, Galerie Angst und Orny, München 1975. Juliane Roh: Karl Mordstein. Bilder, Paintings 1976 – 79, Frankfurt a. M. 1979. Siegfried Salzmann (Text): Karl Mordstein. Arbeiten auf Papier, Galerie Dorothea van der Koelen, Mainz 1982. Galerie Heimeshoff (Hrsg.): Karl Mordstein. "Seelen-Notate"; Bilder, Arbeiten auf Papier, Bildkästen; 1985 – 1988, Essen 1988. Stefan Tolksdorf (Text): Lebenszeichen. Mordstein, Karl und Sinen Thalheimer, Essen 2009. GERMAN VERSION Karl Ludwig Mordstein (1937 Füssen – 2006 Wilszhofen), Erinnerung und Gegenwart, 1983. Farbradierung, Exemplar 41/50, 22,5 x 28 cm (Darstellung), 40 x 45 cm (Blattgröße), 43 x 48 cm (Rahmen), in Blei betitelt, nummeriert, monogrammiert und datiert. Hinter Glas gerahmt. - in sehr gutem Erhaltungszustand - Der fließende Raum der Erinnerung - zum Kunstwerk Auf einer angedeuteten Horizontlinie hat sich ein hundeartiges Tier auf die Hinterläufe erhoben und setzt zum Sprung an, um eine Art Hürde zu überwinden. Links daneben weht eine kleine Fahne im Wind. Das Tier und die Fahne weisen in Leserichtung nach vorne, in die Zukunft hinein. Die Fahnenstange biegt sich allerdings in die gegenteilige Richtung nach hinten und entspricht damit dem Bewegungsimpuls der zeichenhaften Gebilde am ‚Himmel‘. Auch bei diesem Werk Mordsteins ist der Titel aufschlussreich. Er lautet „Erinnerung u. Gegenwart“ und thematisiert das Zeichensystem über dem Tier als Erinnerung. Daher handelt es sich weniger um einen Himmel als um den Raum des erinnernden Bewusstseins. Die Erinnerung zieht in die Vergangenheit, kommt aber von der Zukunft her und beginnt dort, wohin sich das Tier erst bewegt. Mordstein entwickelt hier eine subtile Bildphilosophie über den Charakter der Zeit und die Struktur der Erinnerung, wobei das für den Bewusstseinsinhalt stehende Zeichensystem von der Bildsprache Plau Klees inspiriert ist, den Mordstein hier auf seine Art...

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Undeutlicher deutlich, 1982. Color etching, e.a. (Epreuve d'artiste) 4/9, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm ...

"Torre Blanca" by Rufino Tamayo is a Figurative Abstraction etching limited edition measuring 30x22 in. The piece is framed beautifully with a white matt and light silver frame. Rufi...

Sunrise. 1965, paper, etching, 53x52 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the ...

Signed , dated and titled in pencil by the artist Artist proof from the second printing by Jon Clemens Annotated "To Jon from Ray"

Lowell Nesbitt Iris, 1974 Aquatint, edition of 50 42 x 30 in. Lowell Nesbitt was born in Baltimore, Maryland in 1933. Nesbitt’s prints, paintings, and sculptures incorporate imagery...