DDD Design Decorative Objects

Fabulous glass display bottles from the mid century era. Byrrh wine appertif is 21.5 height x 5.75 diameter. All are glass and in very good condition. Price is for each bottle. Bottl...

Vintage Bottle, Salvador Dali for Rosso Antico Ltd, Italy 1970s, set of three Rare trio of liquor glass coloured bottles in surrealistic style designe...

Stunning thermos decanter in vitrified dyed green goatskin and brass. This charming object was designed by Aldo Tura for Macabo in Italy during the 1950s and is signed on the bottom....

Blue brown ceramics brass ice bucket pitcher French Italian LaBorne Quimper vase Set of six brown and blue decorative objects. Three are by Odetta Quimper from 1930s and 1940s, One is La Borne One blue with brass parchment ice bucket (Aldo Tura attr.), One brown with brass parchment carafe (Aldo Tura Attr.) Blue and grey ceramic covered box: 3.5 inches wide, 4 inches high La Borne vase: 7.5 inches high, 4 inches wide at base, 2.5 inches wide at top Odetta Quimper small round vase...

Midcentury modern era Asian style ice bucket in the manner of James Mont. This highly detailed metal piece features a faux bronze verdigrises’ finish and intricate geometric engraving and embossing. The interior is lined with a removable turquoise plastic liner and is foam insulated. This handled three-footed urn could also be used as beautiful orchid planter compote. Inspired by Chinese Chou Dynasty 5th Century B.C. bronze Ding...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

Gucci stag stirrup cup, brass, gold washed, Signed. The largest of the stag stirrup cups. Can be displayed resting on the stag's antlers and used as a vase ...

This refined flower holder was realized in the United States, circa 1970. It features eight conjoined cylindrical forms of stylized cane bamboo segments with three sets of incised ba...

This modern ice bucket is part of the egg designs Dawa luxury bar collection and is a great addition to any home cocktail bar, or simply as a place t...

Set of three bottles in holder - three unique triangular shaped bottles with crystal stoppers in round holder. The trio are perfect for ...

Limited edition 1990s flexible resin wine bucket by Gaetano Pesce for Fish Design, Italy. Numbered 182/1000. Works great as an ice bucket, wine bucket, catch-all, vase, vessel, sculpture, planter, pot or jardinière. If you use it as a planter, we suggest an interior lining to protect the piece. ABOUT THE ARTIST: Gaetano Pesce, born on November 8, 1939, in La Spezia, Italy, is renowned as a leading figure in contemporary Italian design and architecture. Fearlessly experimental with materials and color, Pesce has collaborated with Italy’s foremost design companies, including Artemide, Vitra, Cassina, and B&B Italia. Pesce began his journey into design at the University of Venice, where he pursued architecture and graduated in 1965. Influenced by prominent figures such as Ernesto Nathan Rogers and Mario Bellini at the Venice College of Industrial Design, Pesce embraced a commitment to novelty and avant-garde principles. He co-founded the avant-garde architectural collective "Gruppo N," inspired by the Bauhaus aesthetic, during his formative years. Pesce’s portfolio encompasses a wide range of designs, from iconic furniture pieces to monumental architectural projects. His creations reflect a profound contemplation of modernity, exemplified by the La Mamma chair (1969), which evokes a prehistoric fertility figure, and the Organic Building in Osaka (1993), celebrated for its innovative hanging garden motif. Among his most celebrated furniture designs are the Up series for B&B Italia, including the Up5 armchair (La Donna) and Up6 ottoman (La Mamma), which challenge traditional notions of form and function with their bold, anthropomorphic shapes. Other notable designs include the 357 Feltri chair...

Striking art glass vase ice bucket by Venini for Disaronno. Beautiful amber glass with a white striped drizzle.