DDD Design Furniture

Fabulous glass display bottles from the mid century era. Byrrh wine appertif is 21.5 height x 5.75 diameter. All are glass and in very good condition. Price is for each bottle. Bottl...

Antique Victorian mahogany storage box having a quality antique mahogany storage box with red interior. D. 1860

This modern ice bucket is part of the egg designs Dawa luxury bar collection and is a great addition to any home cocktail bar, or simply as a place t...

"David" is a leather box, designed by Claude Bouchard and manufactured by Oscar Maschera, made of genuine Italian leather vegetable tanned. Colors combination to be chosen from the ...

An elegant brass and plexiglass designed and manufactured in Italy in the Eighties, it's in lovely condition. the jewelry box is characterized by use of high-quality materials, geome...

A beautiful, finely crafted bentwood cedar Shaker style storage or decorative box, circa late-20th century, American. Box is a rich brown cedar wood tacked with hand forged brass nai...

Iconic ice bucket in the shape of an artichoke by italian designer Mauro Manetti, Florence Italy in silver guilt metal. Stamped at the bottom. It has the original liner which is in g...

Gucci stag stirrup cup, brass, gold washed, Signed. The largest of the stag stirrup cups. Can be displayed resting on the stag's antlers and used as a vase ...

The look of a leather bound book with fine gold tooling to the exterior. Originally used for Bridge scorecard and playing cards (included). The piece is a compliment to the bookshelf...

Jewelry box designed by Nils Fougstedt. Produced by Firma Svenskt Tenn, this example made in 1953. Made from pewter with brass edges. Good vintage condition with age related patina a...

60s 70s Desk Lamp Table Lamp Germany Flexible Design Space Age Object: table lamp Manufacturer: Condition: good - vintage Age: around 1960-1970 Dime...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...