Denière Et Picard Furniture

Decorate a lady's office or a library shelf with this fine antiquity. Crafted in France circa 1880, this elegant bronze sculpture titled “La Cruche Cassée” (The Broken Pitcher), fea...

Classical terracotta bust in very good original condition showing only light cosmetic wear normal and consistent with age. The bust depicts a woman’s head, her hair is tied back in ...

A very impressive 19th century Louis XVI style Bachuss influenced bronze and gilded ormolu clock garniture. The pair of four branch candelabra each supported by bronze putti, raised ...

This finely cast bronze sculpture, made in France in the late 19th century, is a striking representation of a classical Greek warrior — likely a hoplite — caught in the dynamic motio...

19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Satyr France, Circa 1875 A good quality 19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Saty...

A Very Fine French 19th Century Gilt-Bronze Figural Mantel Clock, Horloge à Poser, by Henri Picard and Fedinand Barbedienne - ‘F. Barbédienne & Cie. / A Paris’, after the model by É...

A great Neo Classical Grand Tour Bronze Souvenir of an antique oil lamp. The lamp features a crane or heron holding a detachable oil lamp. The sculpture has great patina and likely d...

This statue featuring a Bacchante is crafted of patinated bronze. In Roman mythology, Bacchae, or Bacchantes, were the female followers of Bacchus. They were often depicted in the co...

A Magnificent Gilt & Patinated Bronze Clock by Deniere on a Rouge Griotte Marble Base in the Louis XVI style. France, circa 1880. Exquisite Detail. On the face of the clock Deni...

A fine mid-19th century gilt and patinated bronze three-piece clock set By Victor Pierret The figural clock of a woman and a bird seated next to a basket of roses above a gilded base designed with flowers. The candelabra with cherubs holding six lights and sitting on a gilt sea shell base...

19th century bronze sculpture depicting mozes (michel Angelo).

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...