Dennis Frings Furniture

This poster for an exhibition undertaken by the Smithsonian Institution and was produced as a Resident Associates Program Exhibit for the organizations 10th anniversary. The work is pencil signed and numbered 80 of 200. Davis was born in Washington DC in 1920 and died in the city he gave so much to in 1985. A major 20th-century figure in American painting Davis's contributions to Washington were invaluable in helping to establish DC as a center for contemporary art. Davis is also recognized as a prime mover in the national and international Color Abstract Movement and his ascendance to prominence started in the 1960s. He was never formally trained and learned his craft by constant gallery and museum visits and later said that this lack of boundaries from education freed him from any limitation on his work or process. Davis worked within the loosely formed Washington color school of painters which included other artists like Kenneth Nolan...

Signed limited edition Op Art serigraph entitled "Tridim-Gordes" by Hungarian artist Victor Vasarely, circa 1972. The piece is hand signed in pencil by the artist (lower right) and i...

This is a beautiful custom-framed lithograph by Hungarian-born French artist, Marcel Vertes, entitled "Circus Queens". The piece is signed, Vertes, in the lower right corner and numbered, "30/50" in the lower left corner. The image itself measures 23" high x 16" wide. The frame is a 2" thick 2 toned framed, black and a subtle cerused-like grey. It was originally sold through the Vincent Price...

"Lilies" signed and dated serigraph by Donald Sultan (American b. 1951). # 35/70.

A poetic and instantly recognizable limited edition serigraph by celebrated Belgian artist Jean-Michel Folon (1934–2005) titled "Le Silence." This dreamlike composition depicts one o...

Louise Nevelson (American, 1899-1988) Untitled, 1980 Original five screen serigraph collage Signed and numbered in pencil by the artist. 147 of an edition of 150. See details in...

This beautiful silk screen litho is signed and numbered 209 of 250. Frame is original to period. Psychedelic patterns that emerge from early computational experiments parallel Optica...

A striking geometric abstraction serigraph titled Volume by modernist printmaker Anton Fontescu, executed in bold planes of red, black, olive green, and cream. The sharply angled for...

John Fassolas (Egyptian, b. 1947), Mountain Stream, 1979, Color lithograph, signed, titled, dated, and numbered 22/45 in pencil A luminous and meditative color lithograph by Egyptia...

Rare signed and numbered serigraph print by American artist Allan D'Arcangelo (1930-1998) Artist: Allan D'Arcangelo, American (1930-1998) Title: Untitled - Under Overpass Year:...

Black and red lithograph by the famed American sculptor Henry Moore. Limited edition of 63/65, signed and numbered in pencil.

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...