Selfportrait as a Flowerpot by Dieter Roth abstract lithograph
By Dieter Roth
Located in New York, NY
This proof is one of just a few printed in this color combination: the edition of 110 is printed with an orange background, while this copy is a muted yellow with the central, scribb...
Handmade Paper, Lithograph
Containers portfolio by Dieter Roth
By Dieter Roth
Located in New York, NY
Containers 1972 (published 1973) Portfolio of 33 signed and numbered prints: nine etchings (eight with various collage additions), four offset lithographs, one etching, one transfer...
Etching, Lithograph, Offset, Screen
A Muse by Dieter Roth set of ten abstract black and white lithographs
By Dieter Roth
Located in New York, NY
This series of abstract black and white Roth prints is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. The artist worked on the same stone, erasing and adding elements with each step of the process to create a new print. Working on a lithography stone allowed him to scratch away areas with precision, revealing tightly hatched white lines that complement swaths of smokey gray. A Muse reflects Roth’s interest in permutations, decay, and a mathematical approach to making images. Each week the artist created a new variant: the series was originally planned as a set of 52. Dieter Roth, A Muse 1971-1972 series of 12 prints (this set is an incomplete set of ten prints), lithographs from stone printed in black on white handmade paper image 18.9 × 14.6 in / 48 x 37 cm paper 30.7 × 20.9 in / 78 x 53 cm edition of 30 each, numbered and signed, 6 artists copies this series 1/30 printed by Karl Schulz, Braunschweig and published by Petersburg Press, London weekly variant printed from the same stone, began October 1971 (52 prints were planned, but only 12 were executed) Condition: excellent with some dimples and wear commensurate with age Catalogue Reference: Roth 185-196 Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Lithograph
A thought by Dieter Roth abstract geometric black and white etching
By Dieter Roth
Located in New York, NY
Sliced sausage, a fork and knife, a cutting board, and a cow mid-slurp comprise this elegant yet tongue-in-cheek black and white Dieter Roth etching. Diet...
Drypoint, Etching
$3,600
A feminine thought Dieter Roth portfolio abstract geometric black white etching
By Dieter Roth
Located in New York, NY
A Feminine Thought (portfolio), 1971 Plate 11.6 x 9.6 in. / 29.5 x 24.5 cm Paper 27.2 x 20.9 in. / 69 x 53 cm 2 prints in portfolio with label, intaglio printing (drypoint) in dark g...
Drypoint, Etching
Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...
Drypoint, Etching
$1,002
H 25.6 in W 19.69 in
"El patito feo" by Antonio Saura, Abstract Print, Duckling, Blue, Bright Colors
By Antonio Saura
Located in Köln, DE
Color lithgraph by Antonio Saura "El patito feo", 1997 65 x 50 cm Copy 186/250 Edition of 285 Antonio Saura (Huesca, Spain 1930–1998 Cuenca) found his...
Lithograph
$4,783
H 15.36 in W 11.23 in D 0.04 in
Zao Wou-ki - Original Lithograph - Abstract Composition
By Zao Wou-Ki
Located in Collonge Bellerive, Geneve, CH
Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...
Lithograph
$4,783
H 15.36 in W 11.23 in D 0.04 in
Zao Wou-ki - Original Lithograph - Abstract Composition
By Zao Wou-Ki
Located in Collonge Bellerive, Geneve, CH
Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...
Lithograph
Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar to...
Handmade Paper, Color, Lithograph
$6,491
H 30.32 in W 26.19 in
Salvador Dalí (1904–1989) – Cobea (Pisum sensuale) – Color drypoint etching
By Salvador Dalí
Located in Varese, IT
Color drypoint etching on Japan nacré paper, edited in 1968 Limited edition, numbered as 146/175 in lower left corner. Hand-signed in pencil by artist in lower right corner. Plate ...
Drypoint, Etching
Neuschwanstein
By Andy Warhol
Located in London, GB
Andy Warhol "Neuschwanstein" 1987. Offset lithograph & silkscreen on varick rag. The second edition of Neuschwanstein, jointly published by Edition Schellmann, Maximilian Verlag ...
Offset, Screen
Dusk in August
By Louise Nevelson
Located in Indianapolis, IN
Louise Nevelson (1899-1988) Dusk in August (1967) Lithograph with embossing Size: 17 x 22.25 in (43 x 56.4 cm) Frame size: 21.75 x 26.75 in (55.25 x 67.95 cm) Edition of 100, this i...
Lithograph
$880
H 35 in W 25 in
Vintage 1970 New York State Council on the Arts Award poster Nicholas Krushenick
By Nicholas Krushenick
Located in New York, NY
Nicholas Krushenick New York State Council on the Arts Award poster, 1970 Silkscreen on wove paper - original 1970 poster, not a reprint Unsigned, unnumbered, unframed 35 × 25 inches...
Screen, Offset
$490
H 28 in W 40 in
Parting of the Sky, Blue Tones Handmade Cyanotype Monotype on Watercolor Paper
By Kind of Cyan
Located in Barcelona, ES
Details: + Title: Parting of the Sky + Year: 2026 + Medium: Cyanotype on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100cm ( 28x40 in.), a...
Handmade Paper, Monotype
$2,800
H 26 in W 11.5 in
Signed John Baldessari print 1991 (Baldessari Love and Work)
By John Baldessari
Located in NEW YORK, NY
John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.
Aquatint, Photogravure, Lithograph, Screen
$2,750
H 30 in W 22 in
Diana, Abstract Expressionist Lithograph on Japon Paper by Antoni Tapies
By Antoni Tàpies
Located in Long Island City, NY
This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...
Rice Paper, Lithograph
Sold
H 24 in W 33 in
Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
By Dieter Roth
Located in New York, NY
Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...
Lithograph, Screen
Sold
H 24 in W 33 in
Berlin 2 by Dieter Roth architectural monument postcard in pink of Germany
By Dieter Roth
Located in New York, NY
Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...
Lithograph, Screen
Sold
H 31 in W 21 in
A Muse (single print #11) by Dieter Roth abstract black and white lithograph
By Dieter Roth
Located in New York, NY
This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...
Lithograph
Sold
H 44.5 in W 54.3 in
Goodbye Sharpie Dieter Roth black and white geometric abstract print
By Dieter Roth
Located in New York, NY
Dieter Roth Goodbye Sharpie, 1972 44.5 x 54.3 / 113 x 138 cm Planographic printing from zinc, white on dyed grey card Edition of 30, this copy marked "Artist's Copy" and annotated II/IV Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Lithograph
Sold
H 34 in W 39.75 in
Wrapper by Dieter Roth abstract pink unique one of a kind print with shimmer
By Dieter Roth
Located in New York, NY
Wrapper, 1971 34 x 39.75 in. / 86.5 x 101 cm Lithograph (Zinc) in 6 colours, 4 printing forms on white paper. Edition of 19, numbered and signed, each a unique print, 3 AP. Numbere...
Lithograph
Sold
H 31 in W 21 in
A Muse (single print #11) by Dieter Roth abstract black and white lithograph
By Dieter Roth
Located in New York, NY
This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...
Lithograph
BOOK aa
By Dieter Roth
Located in Portland, ME
Roth, Dieter. BOOK aa. Dobke, page 149. Published by edition mat, Paris, 1959. Edition of 100 of which only 60 were completed. One of Roth's early books, categorized by Dobke as &q...
Paper