Don Freeman Interior Paintings

A 20th-century American School oil painting on board featuring American banker and financier J.P. Morgan (1837-1913) seated at his desk. Light streams throug...

This artwork titled "Interior with Bouquet" c.2000, is an oil painting on canvas by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower righ...

An oil painting of a man resting on a bed. His arms reach to the left of the panel, and one leg bent, the other extending towards the end of the bed and the viewer. The edges of the ...

"God Bless Our Home" is an interior and figurative scene of a woman sitting on her couch in serious and proper expression. The Americana style paint...

A large (48 x 48 inch) painting of a scene in the art studio by American artist John Winslow (1938 - ).

Bruce Kurland – Still Life with Decoy and Shells Oil on board, framed in antique gold leaf A master of intimacy and restraint, Bruce Kurland’s Still Life with Decoy and Shells is a ...

Bruce Kurland – Still Life with Decoy and Shells Oil on board, framed in antique gold leaf A master of intimacy and restraint, Bruce Kurland’s Still Life with Decoy and Shells is a ...

"Two Sisters" is a contemporary realist painting of two young women sitting at a bar. One sister looks a bit reserved, her hair down, clasping her hands in...

Wayman Adams The Courtship, circa 1920 Signed upper right; titled on the reverse Oil on board 16 x 12 inches Adams was born on a farm in rural Indiana near Muncie. His father, a horse farmer and amateur artist, encouraged the younger Adams’ interest in art. At age twenty-one, Adams moved to Indianapolis to attend the John Herron Art Institute. There, he began to paint portraits. He took two trips to Europe, the first in 1910 when he traveled to Italy with William Merritt Chase. Two years later, he accompanied Robert Henri to Spain where he met fellow artist Margaret Boroughs, whom he married six years later. In 1914, Adams painted a series of portraits for the city hospital in Indianapolis. He was to paint children whose families had been in the United States for generations and also children of immigrants to represent the various nationalities of which the city was composed. It was considered to be one of the most ambitious public art projects in Indiana’s history. Originally, twenty-four portraits were to be done; while some are now missing, they were all initially installed in the pediatric ward of the hospital. After painting a portrait of author...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

"Self Wearing Bag" is a striking oil painting that explores themes of identity, burden, and possession. The hyperrealistic rendering of a worn leather bag, gripped tightly by a parti...

A realist painting of people in a pool hall. The red pool table is the centerpiece of the painting, seemingly illuminating the space, and particularly t...